Based On The Traditional Quest

After nearly10years of efforts, the contemporary heavy-colored paintingon the basis of inheritance and claboratestyle han performance means, color, materials, techniques in heavy-colored painting etc. With the further innovation and breakthrough, opens up a new way of contemporary Chinese painting performance. However, the development of contemporary Chinese heavy-colored painting also includes the complexity and richness of various phenomenon, if there is a worth to deduce, but they still didn’t get enough attention problems, that is how to view and use the line.Line, as a traditional painting heavy-colored painting in the most distinctive artistic language, after one thousand, formed a relatively complete system, it is China that heavy-colored painting differs from other national the most essential feature of the painting art, is the essence of Chinese painting. In the contemporary China heavy-colored painting, sometimes because of too much focus on the performance of the material or color, but completely ignores " the structural using of the brush emphasizes lines" this unique to China special pursue "brush" culture. Lines to as weakened after the sense of taste, form aesthetic feeling also have weakened accordingly. However, the establishment of a picture to have its traditional heavy-colored painting’s language itself should not only reflected in the development of materials and techniques, more important is the basis of the performance in traditional language for improvement and innovation.This topic research based on the traditional first, in the traditional Chinese heavy-colored painting, line performance and to use as the foundation of theoretical research, extensive reading of the relevant research literature, this paper discusses the line in the position and role of the traditional Chinese traditionalheavy-colored painting, as well as the line performance and aesthetic characteristics. Reveal to qualify as one of ChongCaiHua language factors, can let the Chinese modern heavy-colored painting reflects the unique aesthetic meaning of China, and has strong vitality and artistic appeal. Secondly, by analyzing the variety of the middle route of the modern heavy-colored painting expressivity and unique aesthetic, reflects the modern heavy-colored painting lines of language expression is roughly presented two tendencies:one is attach great importance to the role of line, highlight its aesthetic main body language, pay attention to line the accomplishment, ability and techniques and materials, and color to cooperate, and to achieve the result that bring out the best in each other; the other is trying to weaken line in the picture of visual effect, wireless or less line to achieve specific artistic effect. This article from the perspective of reinforced, discusses the line must be with noodles, and other factors such as color, and texture coordinate coexistence of artistic concept. Line, however, the combination of "writing" and "manufacture", not only to solve the problem of technology, but also from the line of research and exploration on the organization and using methods. Combining with the personal heavy-colored painting creative learning and experience, has carried on the thorough research and discussion, further interpretation system and discusses the line in the contemporary China heavy-colored painting specific use and handling.Finally, the author expounds the conclusions of this study, and put forward the deficiencies and future research direction.