The Style's Characteristics And Requirement Of Singing Of Mezzo-soprano's Aria From Opera "Alcina" By Handel

Georg the reed, Handel ( George Frideric Handel ), ( 1685 - 1759 ), on behalf of the baroque composers. born in germany, britain. Naturalization。Handel had completed the'Alcina'in 1753, as the same year, premiered at covent garden theatre in April, a mythical background to the opera, with the form of Reina all ( Rinaldo ) of such a long hard to surpass treble coloratura cool technology and future generations is an opera called "magic".The Ruggero of the Alcina, which is the role of a knight. At that time, Handel's favorite singer is falsetto, Carestini who is in this drama and plays in Ruggero.Quick action in 1870 came to italy for illegal, falsetto become more precious and less until the last falsetto "aleksandro mores" death in the special singer ever. A total of falsetto performed by the role of women who mezzo-soprano and soprano to play. Therefore, the play "ruggero" we all played by coloratura contraltos now.The article will demonstrate that mezzo-soprano how to control the technology of coloratura and singing, such as in breath, voice and style for Ruggero. Composers according to their different talent to create works and the work also bring lots of difficulty to the woman singer for play the same role.Through to the opera Alcina of the mezzo-soprano's aria's style features analysis, research and scientific and objective for the singer to sing the work in practice in the singing skills. As for flavor to, a sympathetic ear cavity, in respect of training is very important. In addition, women and male roles and contributions is completely for the singer left feminine features, overall coordination of mental state, in the habit to ask himself, for example, the gestures have a heavy and big and pose. That means to prove personal qualities and a feeling of the baroque aria styles and reached for the singer sing composer effect.