The New Growing Point Of Contemporary Aesthetic

After great debate of 50s and 80s of last century, China's Contemporary Aesthetic has shown many schools and pluralistic theory. At the turn of new century, China's many scholars from different schools carried out in-depth debate on how to promote the continuous and further development of Chinese aesthetic and formed the distinctive theory. The early 90s of last century's discussion in Practical and Post-practical Aesthetic had provided the great possibility to the innovation of traditional aesthetic. Practical Aesthetics constantly engaged in self-reflection in the process of debate, also absorbed a number of critics'useful ideas and adopted its own system in the modern western aesthetic inspired, achieved finally a breakthrough on the basis of traditional mind. Some representatives of non-mainstream practical aesthetic scholars performed a strong theoretical advantages, but the mainstream scholars was still being shackled into traditional epistemological thinking and difficulty process. Another reason, other criticism to Practical Aesthetic was usually large but distorted, even took the extreme and radical thinking. In this situation, some representatives of non-mainstream Practical aesthetic stood up-to a higher academic theoretical point. In the careful analysis of Chinese Aesthetic development process, they inherited the older generational aestheticians'valuable and outstanding ideas. Having inspired by some reasonable factors of modern western aesthetics, they combined those factors with their many years of study and reflection, got out their distinctive aesthetic theory. Among them, the most representative comes as Professor Zhu Liyuan, he inherited Jiang Kongyang's practice theory-based on creation-core of the aesthetic relationship which is between human and the world, referenced ontology of Heidegger's phenomenology aesthetics, and combined it with his years of Marxist aesthetics and Western aesthetic in-depth study and reflection ,accordingly proposed to develop"on the way to Practical Existentialism", which is full of enthusiasm and fiery passion to make theory relentless and boundless. It is also continuously enriching himself as a vital-forced theory in the altar of two centuries. From the development and construction of the Practical Aesthetic with Chinese characteristics in the sense of aesthetics, it does have been highly concerned and had more active effect on China's Contemporary Aesthetics as a new growing point of this subject. In this thesis, we have explained it on three aspects: the theme of"practical existentialism", the background of the theory, and its Connotations and real function. Inadequacy of planning, to be re-researched.