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The Taste Of Life ——Abbas Kiarostami Film Aesthetics Elaborating

Posted on:2011-08-16Degree:MasterType:Thesis
Country:ChinaCandidate:L ShiFull Text:PDF
GTID:2155360308983987Subject:Aesthetics
Abstract/Summary:PDF Full Text Request
In the history of world cinema, Iranian film become more active than before in the1980s and 1990s, Abbas Kiarostami is the leader during the time . His films affected by the Italian New Realism, he used the simple create style during early film creation, and showing he pays attention on human, and life. But this kind of regression is not simply repeating, it's start from Iran social reality, and think about the difficult thing during this time. Abbas, one of the innovator for the Iranian file, he opens a new time, and promoting the world film development more diversified. His film often bring a new think to people new thinking, Abbas phenomenon is very worthy for art phenomena researching. This paper takes the film aesthetics theory as a foundation, a detailed analysis of the film showing Abbas'aesthetical features, also use religion theory and the theory of analysis of existing deep thinking what his film could bring to people aesthetic experience. In the Chinese film market today, we really need something as same as Abbas humanism film, so it could called the Chinese film go back to a right way. Also, we could summarize more Abbas'successful element for the further film research, and dialectical and reference. We could know what the situation and difficulties for the present Chinese film.
Keywords/Search Tags:Abbas˙Kiarostami, Film, Aesthetics, Religion, Existentinlism
PDF Full Text Request
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