The Aesthetic Comparison Between 《Jiang Nagel》 And 《Iliad》

The historical development of human society is the common process of consistency and regularity.As an open literary studies, the comparative literature have a macro vision and international perspective. The comparison between《Iliad》and《Jiang Nagel》can be contrasted in cross-cultural literary relations, which help us understand the general literature as well as the basic regularity of human culture.As the representative of the Western Ocean Culture and the East Prairie culture ,the《Iliad》and the《Jiang Nagel》are derive from heterogeneous systems of the cultural type of civilization. Among them, the oriental " views of aesthetic sympathy " bases on the philosophy and epistemology of the " animistic view " and perform as "always focussed on the matter","scenes",which is a form of equal status in the emotional life of the main object of consciousness infiltration, exchanged and mutual inductance. Its highlight is the impacts of aesthetic object to the subject of emotional and aesthetic subject in the aesthetic process is in a relatively passive position. And the transference of Western aesthetic theory views "mind-matter dualism" as philosophical and knowledge-based theory.In fact, it belongs to a separate category, which highlight the migration of their own emotions of aesthetic subject in the aesthetic process .In dealing with the relationship between subject and object, the main object is always live above and express a way of thinking or behavior initiative. This paper focuses on the aesthetic dimensions of the epic to study, then to learn more about the people under unequal type further. Such as its embodiment of aesthetic concept in detail in the social life, its revelation of spiritual beliefs in the community as well as the deep thought about the lives that due to different characters out of shape and show.This paper is divided into six parts:The first part is the introduction, the main thesis describes the background and significance, history and current status, ideas and the novelty of paper. The second part mainly explore the aesthetic which due to the original thinking and ultimately to determine the different aesthetic thinking within the meaning of the aesthetic content of this article. The third part mainly interpret the aesthetics of the Eastern and Western in academic. It gives a definition to the oriental " views of aesthetic sympathy " and the transference of Western aesthetic theory, then these two kinds of aesthetic philosophical foundation, which is to enlight the "animistic view" and "mind-matter dualism". The fourth part analyse the different or the same aesthetic features of《Jiang Nagel》and《Iliad》.For the aesthetic under the influence of different mode of thinking, two epic showing the aesthetic differences of "identity of things" and "highlighting individuality", but also demonstrate the aesthetic sense of convergence to the life and honor.Part V mainly expound the causes of the characterization for a certain degree from the perspective of civilization and culture of the East and West.Part VI is the conclusion, the epic aesthetic not belong to the concept of a constant scope. It has a aesthetic implication relatively in a particular era, but it is and should be always a living phenomenon. We should be clear that it is a correct attitude to the epic literature and the development of the aesthetic of the nation.