The Research Of Individual Subjectivity On Jiang Kong-yang's Aesthetic System

Jiang Kongyang's research on aesthetics was lasting for a period of 60 years, and his aesthetics expanded in the background of the development of the practical aesthet-ics. He is close to Li Zehou on the problem of theoretical origin and principle, while in proximity to Zhu Guangqian on the research methods. The article begin with the origin of Jiang Kongyang's aesthetics, reveals his dynamic three-dimensional struc-ture of'On practice-Creationism-Life Theory', and researches the individual subjec-tivity of his aesthetic system.Jiang Kongyang's aesthetic system takes the aesthetic relation between man and re-ality as a srarting point, emphasizes the aesthetic relation shoule be taked as the start-ing point, and then research all the aesthetic phenomenon and aesthetic activity. He persists the position of Marx's practical ontology. Jiang Kongyang highlights the fea-ture of the'relationship'from the view of the distinguished from human and animal, stresses that only people who can have relationship and realize the existence of rela-tionship with reality. In the aesthetic relationship recognized by him, objects must depend on subjects in the aesthetic relationship to gain aesthetic significance. Jiang Kongyang's aesthetics expands around the human and human subjectivity from the initial.Mr. Jiang's mastery of the aesthetic object, aesthetic subject, and the establishment of the aesthetic relationship, including the birth of aesthetic of aesthetic issues are all from the point of practical view. Mr. Jiang firmly grasps the basic characteristics of human labor practice-consciousness and freedom, and investigates the formation of the aesthetic objects, aesthetic subjects, and human nature. Concerning the provision of the feature of beauty, Jiang Kongyang thinks the figurativeness emphasized the aesthetic subject's grasp of perceptual image of the aesthetic objects; the sociality emphasized that beauty is the properties of human society; and the infectivity High-lighted the emotional from the perspective of the aesthetic subject and the psychologi-cal approach to the nature of the provisions of the beauty. The objectification of the human nature closely linked the process of objectification to the human-subject labor practice. People as the subject of labor practice, is inevitable as the subject of the ob-jectification of the human nature.Labor creates the beauty, and natural Beauty is also created by labor. In the creation of the beauty, Mr. Jiang focus the unity of subject and object of the main body of prac- tice as the unique way of beauty creation. On this basis, on the one hand, in the under-standing of'Cumulative', Mr. Jiang bases on the point of the experience of aesthetic subject, and stresses the beauty is the accumulation of human history, cultural tradi-tions, all of society's material, and spiritual heritage; On the other hand, in the 'sudden emergence', Mr. Jiang reveals the the initiative and creativity of the subject in the sudden creation of the beauty based on the law of mutual change of quality and quan-tity. Humen is'the beauty of the world', and beauty is the social phenomenon with the core of subject. Mr. Jiang stressed that only free people can have the beauty, on the other hand stressed the beauty as a society phenomenon whith belongs to the commu-nity people.Jiang Kongyang takes art as the main target of aesthetics, and he believes that art is the concentrated expression of aesthetic relationship between man and reality. Only people who can appreciate and create art, and to be a real person through the aesthetic. Art must be beautiful, and artistic beauty is the most concentrated expression of beauty. He believes that the fundamental purpose of aesthetic education is to culture people, and aesthetic education is the transfer channels of humans psychological tem-perament and mental outlook, which art plays a particularly important role. It is pre-cisely because art has the role of aesthetic education, which Requires our artists to create artistic images not only to strive to improve their own personality, also need to enhance the consciousness and social responsibility. Educating people to culture a healthy thoughts and feelings, a high level of cultural training, the pursuit of noble and unique spiritual realm in a positive attitude towards life.In Jiang Kongyang's subjective aesthetics, aesthetics is not just an academic, but also the spiritual world with theme of exploring the human development, and the spiritual home to pursue the value of life-oriented.The emphasis and importance of subjective, related to his cerebration for the life of fundamental, and the prospects of human and cultural development. The study of Jiang Kongyang's life on aesthetics in this article, emphasize the subject point of view from the aesthetic to the meaning of life, take the aesthetic creation as the force of human self-improvement, calls for the consciousness and social responsibility of the contemporary human, to fully demon-strate the reconstruction of the human spirit home and reproduce the idea of human dignity.