Personal Artistic Style Of Landscape Formation

Landscape painting is a long history and fine traditions of a painting, it is also the carrier of the splendid Chinese culture, heritage and promote the lifeline of national culture and spirit of the times we bear the glorious and sacred mission of the great. Origin of art is a return to nature, as the spiritual culture of the creators of the artists, their personal style, the nature of the formation of roots is from real life, is laid that rising levels of pleasure for the ideological spirit of the expression of the yardsticks. We can say that all landscapes have their own personal style. After the spontaneous style is thoroughly tempered personal characteristics representative of the artist as a symbol.This thesis, starting from the ontology of Chinese landscape painting, make a more precise definition from a theoretical point of view on the meaning of personal style, while explain the diversity of Chinese landscape painting and the significance of personal style. Secondly, it explains the formation of landscape factors in personal style from the subjective and objective aspects, also from is forming factors. Thirdly, it focuses on the formation way of personal artistic style landscape painting, mainly illustrates from the factors of new ideas, back to nature, enhancing training and being innovative. Finally, through the above exposition, summed up the formation of personal style, which is not to be invented, but undergo a long process. In the end, make a conclusion of the relevant considerations of its formation and a summary on the theory and techniques.Personal style is each artist's life and art of personal style issue is an important subject for artistic study. As an artistic creator, who wants to make their work vitality, to take a place in the landscape field, he must form a distinctive personal style. Personal artistic style is embodied in the form from within, and through the work and the presentation of the content and form the perfect unity, is the artist includes the necessity to establish in some form of personalization on the aesthetic experience. The formation of personal style marks artistic maturity of landscape painters, the painter's artistic path is actually the exploration of artist's individual style of painting, it also a process of developing and promoting the formation of style. The formation of personal style was made by many factors, both the subjective and the artist's temperament, training, ideas and techniques, but also on subjects such as inseparable from the objective aspect, it relates to content and form of works of art at all levels, more are subject to age, ethnic, regional and various artistic control and influence fashion. This thesis gives a theoretical reference to a painter who doesn't have his personal style but now is exploring, to a certain extent, it fills the gaps which are in the personal style of landscape painting theories of the formation.