Once met in eyes, felt in heart and formed image by hand,which constitutes one picture. This is the general principles of the Chinese landscape painting.during the landscape creation Painters overallstheir thinking to grasp the nature of the mountains so as to realize an image world where aesthetic subject, objectand scenery reach a harmonious unity not only in painter's heart but also by comparing concrete object. Then through material means the painter changes it into artistic image which does not belong to original natural landscape with painter's mind in it while it still gets the essential attribute o f mountains sothat the whole picture has aesthetic object and beatuty of muddy. Mental state process is the course of doing with the relationship between object and mind, is also the choice and establishment of aesthetic image as well as the formation of aesthetic image which reveals the complex psychological activities of landscape painters in their creation. probing and studying the course is of great importanc to the result of creation.This thesis consists of three parts. Fistly, this paper traced back to the concept of mental state discussing the connotation of its evolution and the aesthetic psychology, seeking after the relationship between mental state and Chinese art spirit and its its development and function, clearing its logic changing.Secondly, based on Chinese landscape painting line,processing and artistic concept,space's settlement and image's showing, discussing mental state's function in the process of landscape creation.Mental state is around each side of landscape creation as a unique aesthetic psychological activity. Cause nature into the nature of chart, near in sight while being painted in the distance no matter what directions it is, just in front of painter and four seasons come into being in painter's mind. Outstanding landscape painting doesn't exist in real world while it comes from painter's mental state creation from the details to the whole unity. When natural mountains blends with painter the object himself, that inspires aritits 'aesthetic imagination, making his mind soar in creation world so as to create landscape withsoul and blood and flesh! At last, based on discussing, summarise the relationship between mental state and Chinese landscape painting,drawing a conclusion that sucssessful painting should be one natural unity between painter's mental state and objective natural scenery. Painter should begin with improving their own capability with the help of nature, focusing on vivid words and mental stateto form one's own painting style at last and the painter can create real works showing new era's characters. with new image, new pen, new method. |