The Tibetan Effects On Mongolian Jewelry

The main targets of this research are the portable decoration that women and men wear metal and precious stones as the main materials. The far-reaching effects from Tibetan Buddhism to Mongolian arts and culture, manifested in painting, sculpture, crafts and many other aspects. Because of their common religious beliefs, neighboring location and lifestyle, both as the frontier nation's in history, and other factors,created decorative arts of many similarities. As analysis the development of Mongolian jewelry, I found it affected from the Tibetan in many ways. And the reason is complex and about the culture trading,religion, etc.This treatise is going to summarized the concept which is different cultures "harmony but not sameness".On research methods, the author use a "comprehensive history", by the prevailing economic, climatic, political and social factors condition,focus on the weight of culture. For the internal culture,from the point of Iconography view, add the related theory of cultural anthropology to analyze a nation, a certain period of change and development of arts and crafts.Nomadic culture,since ancient times, be with diversity, this paper start from one aspect, analysis representative Mongolian accessories in each period, analysis the affects its suffered, to show "harmony but not sameness" concept in the cultural development of the practical embodiment.Make a conclusion that the cultural exchange come to the inevitable elements in the development of cultural heritage.The significance of this article is to use a different perspective to treat the Mongolian culture.Typically, minority culture suffered in the foreign influence that means the Chinese culture.Mongolianand Chinese, Tibetan and Chinese cultural studies has been more perfect. The author from a new perspective, that is, the effect of minority to minority, and t start from the Mongolian jewelry, view of cultural exchanges between the Mongolian and Tibetan affairs.