From Traditional To Fashion—The T Ransmutation Of Mongolian Jewelry Art

From the view of history studies, Mongolian jewelry researches have very high historical worth. The recordation time of Mongolian has more than a thousand years, although the academia hasn't have an unity conclusion at the question of Mongolian clan root, it certainly is the Mongolian has gathered the northern grassland minority together,, she became the indispensable important component part of Eurasian history even of the World history which inherited the cream of culture of Huns, Xianbei, Rouran, Tujue, Huihu and Qidan. The visual work is the important path that investigates a national history. Compared with the history of farming nations at Central Plains, the history of northern grassland nomads is lack of the literature records. It makes the visual work which can observe and study the northern grassland nomads especially important, among them, the visual work with the national characteristics of traditional jewelry is keeping their material culture relatively abstract, and paintings, grottoes, sculptures and other art, The jewelry has left limited display space for the handicraftsmen. So we can discover that the jewelry carries much more compulsive visual language, may be carrying the anfractuous information of the master's identity, status, hobbies, even about the social circuit. The "kind" of the jewelry is their cultural information of the era. In the past, the Mongolian headgear is mingled in the category of the "Mongolian dress", or the research just in the category of historical literature, or only displays the images information which has handed down for generations, there doesn't more deep research again. The jewelry also described in "processing industry" technology, but there isn't any resolution about the style design, and there is no grasp in its aesthetic meanings. It leaves the important history cultural information which cause the people in nowadays feel fuzzy to Mongolian headgear. At the meantime, the "Tibetan" and "Miao adorn" has been established with approval and stable at home and abroad. The result owe to a vast experts whom crack and study in visual modeling art. But the attention of Mongolian headgear is covered by its cultural dress as accessories, so she always played the costar parts. There was some research about Mongolian headgear, but the search mode and method was based on remains real from Qing dynasty, and didn't consider about the transmutation of development. Therefore, the introduction about "headgear" and "accessories" in Mongolian dress was only some picture information with remains real form Qing dynasty and a few ancient archaeological literatures, but didn't explain the evolvement of sculpture and modeling clearly.So crack the visual information of "Mongolian jewelry" seemed to be especially important and urgent. It not only is a good inheritance and protection for the Mongolian historical materials, but also let more people understand that the Mongolian culture is an important part of the national culture of China.The author's research about the Mongolian traditional jewelry means to the ancient northern nomadic jewelry which gradually formed by the fusion process of nomadic people in northern China. The Mongolian traditional jewelry modeling gathered the cream of the northern nomadic modeling art. Finally, it formed its own characteristic of Mongolian traditional jewelry modeling art. She is the indiscerptible part of Chinese multi-ethnic modeling art, which absorbed the modeling art of Central Plains. In the different historical period, she combines her own aesthetic idea, finally formed her own unique charm of jewelry modelling art.