Study Of Qing Dynasty Tibetan Jewelry Design Art

Costume jewelry is a traditional Tibetan decorations with distinctcharacteristics and clothing accessories, has experienced a long historyof evolution and development. To the Qing Dynasty, Tibetan jewelry artcharacteristics evolve a more mature sound, and became an importantstage of development of Tibetan jewelry. Tibetan jewelry is the remainsof material culture and spiritual culture, is regarded as the life and ritualsof Tibetan indispensable items, is the interpretation of the Tibetansproduction, lifestyles and inescapable aspect of the development processand specific objects, and carries a wealth of Tibetan culture andemotions.Through the ancient Tibetan literature, archaeological excavationreport, organize image data to explore the art of Tibetan jewelry design,analysis and lay a solid theoretical foundation, and then sort out thehistorical development of Tibetan and Qing jewelry. Meanwhile, fromthe perspective of both vertical and horizontal development of the artsand ways to demonstrate cultural dissemination, and analysis focuses onart forms and features of the Qing Dynasty Tibetan jewelry, mainly fromthe following three aspects to start on:First, look at the historical development, combed if cultureoriginated in the Neolithic period Tibetan jewelry card, from Tibet tothe Qing Dynasty stereotypes mature stage of development, such a historical development. Secondly, categorized the rich variety ofTibetan jewelry by material, wear parts into a variety of art forms,including headdress, necklaces, waist, jewelry and other categories.Once again, the focus of interpretation and discusses in detail theTibetan jewelry art forms, combining aesthetic principles andimplication of shape, color, pattern these external forms ofdiscrimination, up to the perfect combination of decorative and practicallevel. Thus, analyzed law and characteristics of Tibetan jewelry art, onthe one hand, proposed giving a sense of the whole Tibetan jewelryrough mad characteristics of a successful, consistent with the overall artstyle of clothing and jewelry harassment exquisite fusion of Qing artisticcharacteristics; another on the one hand, analysis of differentgeographical regions between Tibetan characteristics, the maincharacteristics of art Tsang, Kham, Amdo, Jiarong jewelry culturaloverview of the area. After revealing form factor of the Qing Dynastyand interpret artistic characteristics of Tibetan jewelry by the naturalenvironment, the Bon religion, Tibetan Buddhism integration, socialprovisions, such as the Qing regime, other countries, the role ofcommunication and the introduction of factors intertwined to form.Finally, understand and master the inherent design of the QingDynasty Tibetan jewelry design ideas, concepts and forms, and fullyreflects the Tibetan profound understanding of the natural environment, foreign attention and absorb advanced culture, as well as religious pietyand worship, contemporary design does all this without reference.