Yan Wenliang Powder Picture Work "Kitchen" And Culturalpsychology Explanation

Late Qing China's social and cultural development of the transition. With the Western powers economic, political and military invasion, a large number of Western culture into China along on all corners of Chinese society, and the origination of the extensive and profound impact. As China's economy and social structure changes, people's social and cultural psychology has undergone tremendous changes. The "kitchen" as the representative of the early paintings Yan Wenliang It is this specific social and cultural psychology materialized results. It is the product of changing times, but also left us the history of the debris, and memory."Kitchen" is made by Yan Wenliang in 1920, marked his early works of a mature Pastel. The one hand, the composition works reproduced panoramic old kitchen daily life of Chinese River Scene, on the other hand due to its excellent handling and sophisticated space-level detail description, as complete as if the mathematical form, the Western Impressionism clever use of light color, and seek scientific thinking truly realistic reflection of modern Chinese art history has become exemplary work. This article tries to Yan Wenliang of Pastel "kitchen" as a starting point, detailed analysis of worksAnd conveyed from this painting out of character and spirit of the times people from the social transformation of the public has been varied and colorful cultural psychology.This framework, the chapter briefly outlines "kitchen" background of the times; second chapter of "Kitchen" Impressionist paintings with the West and China in the same period produced a critical analysis of various works of art, analyzed characteristics of the times; and the combination of history information, pictures, etc., generated through the work of modern social customs and spirit of the times to specific analysis of "kitchen" in the traditional and the modern, Western and Oriental blend with each other formed the context of the era of the Cultural Psychology; third chapter Yan Wenliang and his work in the immediate inspiration; finally over on.