Sentimental Romance: Art Generation And Value Orientation

During the May 4th ear, Romantic literature trend is very popular, of which the sentimental type whose obvious characteristics, flourishing works and unique atheistic trench is quite eye catching. This essay is based on the research of previous educators. The foothold composes in reply starting point with the "sentiment". From the formation mechanisms, morphological characteristics, and evaluation, the essay tries to give some new suggestions to the research of sentimental type.The essay is divided into five parts. The first part is about the introduction about the background, which is mainly about sentimental atmosphere of the times and the sentimental literary trends. The second part tries to analysis the components of sentimentalism from macro and micro point of view. This paper reaches into the outside and inside part from an Omni-directional view. It consists of three aspects as follows: first aspect, the influence of external ideas (esp. from European, America and Japan); second aspect, the traditional culture with the continuity of modern factors; third aspect, the main creation of the personal factors (innate endowment, the shadow of childhood and trauma experience). The third part from the overall standpoint, the typical combination of classic works of writers discussed, summarized the sentimental type romantic literature demonstrated a wide range of emotional types, including drift type, sadness type, autobiography type, anxiety type and decadent type. And such kind of summarizing is quite creative in the research of sentimentalism. The fourth part, I tried to stand in an objective and fair position to value the sentimental part of romantic literature, including two aspects: first, the evaluation in the past, and whose the reasonableness and limitations; second, sentimental type of modern romantic literature in China agrees the West Romanticism in some respects. The fifth part is about the sentimental romantic color localization literature, including the "Chinese style" Romanticism and the "Chinese style" of sentimentalism. Through this evaluation, I want to give sentimental romantic literature a reasonable, objective historical position in history.