Study On The Textures Of Piano Works In The Romantic Period

Texture as the form of music elements and music means of expression,in the development of music has an important role.In the course of the development of western music,the writing of the fabric has accumulated rich experience and studied these experiences.It is necessary to develop new creative ideas for the inheritance of traditional music.Understanding and mastering the texture of the composer’s piano works in the Romantic period helps us to make better use of these weaves in future music creation and can create and develop on the basis of these weaves.Own style characteristics of the fabric shape.This article is divided into three parts,the first chapter is the masterpiece of the music works,which will be the definition of the fabric,the texture of the classification,monophonic body,the main music body,polyphonic music and piano The second chapter is an overview of the piano music before the romantic period,which introduces the effect of the improvement of the performance of the piano instrument on the weaving,and the piano music works during the Baroque period and the classical period The third chapter is the romantic period of the piano music works for the texture analysis,according to the melodic part,and the Ministry of sound and bass part of the idea of analysis.Through the study of the composer’s piano works in the Romantic period,this paper summarizes the creative style and characteristics of the composer’s piano works in this period,and the commonness and individuality.By studying and studying the differences between different weaves,we can grasp the creative style of the piano works in the romantic period more deeply,but also can better understand the creative features of the composers.At the same time,the creation of today’s piano works also has practical significance.