The Cultural Landmark On The Passway Of Xikou

On the land combines with the loess plateau and the Erdos plateau,especi ally in Fugu and Shenmu areas of Shaanxi province,Hequ situates in the north western of Shansi province,the urban and rural of YiKeZhaoMeng,Baotou,Ho hhot which lie in the western region of inner Mongolia,a kind of folk playlet named ErRenTai is going around.Its emergence keeps a close interaction with t he large-scale migration—Going Out of the West Pass,in China late Ming and ear ly Qing dynasty.The folksongs of Shaanxi and Shanxi provinces have been bro ught to inner Mongolia,which makes ErRenTai become a new kind of art vari ety with two national imprint of Mongolian nationality and the Han nationality.On the whole pathway of Xikou,Baotou city is an economic hub.Here assembled many people who came from Inner Mongolia,Shaanxi and Shanxi three provinces,and part of the immigrants came from Shanxi and Shaanxi provinces,regarded Baotou as their final resting place.From then on,ErRenTai has been developing in this land and accepted by the masses.With the development of social politics,economy and the transformation of social structure,ErRenTai,based on the background of farming culture,presents a new existence in the industrialization Baotou city,and shows its inner vitality with which can continue adjusting itself better.The arias of ErRenTai have a inseparable relationship with the folk songs of Shaanxi,Shanxi and inner Mongolia,are very abundant and multiple.This paper adopts a kind of music melody analysis method named Twelve-dimension set up by Mr. ZHAO Song-guang,then chooses 10 kinds of aria and in total of 84 pieces of folksong as the systematic analysis object.According to the comparative study of music form, summarizes and induces some regular and special structure factors and the deep-seated relations about ErRenTai cultural phenomenon.