On the basis of analyzing Du Zhao zhi's "The festival by Genghis Khan's mausoleum Symphonic Poem",this thesis is written to explore how the Mongolian music adheres to its traditional nationalistic style,demonstrate the lightness of Lu Xun's opinion of "one thing that belongs to a nation also belongs to the world",make the Mongolian music modernized and be worldwide-known,and solve the problems emerging from this progress.According to the theory of Althusser's Ideological State Apparatuses and Benedict Anderson's "Imagined Community:Reflections on the Origin and Spread of Nationalism","The festival by Genghis Khan's mausoleum Symphonic Poem" inherits and develops the Mongolian music and means a lot to the current society.In fact,this music also has the functions of "Imagined Community".It modernizes the Mongolian music,encourages a sense of national dignity,fosters our sense of identity and reinforces national cohesion,though Mr.Du may not aware it.Of course,Mr.Du did not only inherit and develop the Mongolian music but also gives people hope about the future through his "The festival by Genghis Khan's mausoleum Symphonic Poem".From the technical perspective,Mr.Du summarized the method of theme-creating,Musical Structure-dividing, harmony-using and orchestration-using through his thorough analysis.The writer wanted a new way,through which he can modernized the Mongolian music gradually and pave a new way for music writing.He treated the analysis of "The festival by Genghis Khan's mausoleum Symphonic Poem" as a key. |