The Female Writing Style Of Yishu's NOVEL

Standing in the perspectives of cultural theory and narrative theory,this thesis tentatively probes to the feminal characteristics, consciousness and experience demonstrated in Yi Shu's romantic novels.Focusing on the common embarrassing living situation and the cautious determination in the greedy society,Yi Shu formulates a concise and attractive feminal writing style by sculpturing a series of modern females bearing independent personalities.The individuality which described them to have faced the love and marriage difficult position which,carries on anti-to make with the fate which finally may not escape,and a clear awareness of the master narrative of women,constitutes a concise and after all novel as well writes the world.In popular Hongkong and Taiwan novel literary circles,Yi Shu's style is unique.Different from gentle style in love stories,Yi Shu describes reality and cruelty in the metropolitan world----Hong Kong and sculptures the modern independent female group by relating those knowledgeable females' feelings,marriages,family lives and personal experience.This international body place Hong Kong metropolis, struggle for existance pressure are enormous,female the heart longs to find a ideal love more although realizing an independence on economy, form a segment of happy fate which bring lovers together under great pressure of all kinds.Most of the females molded by Yi Shu are vocational ones who are independent in economy,smart and intellectual,self respecting and improving.In the perspective of the greed of money and love,Yi Shu vividly analyzes the life reality of modern women.Living in Hong Kong,a metropolitan world,women confront firstly the problem of surviving,having no choice concerning the problems of money or morality.Love is more likely to be a reverie. Yi Shu also investigates the gains and loses by citing marriages----the universal end-result for women.Professional women have to face marriage and family life in which men always take the leading role while women are in the subordinating status due to their own place. Those deserted women end up with marriage finally because of their succumbing place.The article also using narrative theory interpretation of the Yi Shu described the characteristics of the narrative,as well as her work in women's contribution to the structure of the world.In the narrative mode,Yi Shu boldly followed the transformation of the long-standing pattern of the male perspective center,to the unusual role of women into the center of the narrative,female perspective,observing the real world.She was good at using the novel "I"(female role) and "he" to talk positive female voice sometimes from the "I"(male roles) and "She" in the confrontation through the male side of the female vocal declare their's position By men and women on both sides of the restrictions on expression describes the perspective to tell the story.In addition,she also good at using omniscient narrative perspective description,and describes the integration of women in the sense of writing.This is not only a prominent female "I" the authority of the place,and they are also consistent description - male "I" has become a background of the board.Even if the male voice,his only role in the narrative for the performance of the status of the main female characters add fuel to the flames.In addition,she will also deliberate the opposite story,complete departure from the reader's psychological expectations,setting a number of "surprise",caused by the unexpected effect of reading.In addition,Yi Shu's writing is the attitude of the attitudes of life from the inside - out to pepole,and concise,beating the words to express themselves and the modern women's real thoughts and aspirations of independence,men have to face up to them."Forceful" language of the narrative to the performance of most modern women and men generally strong,they have strictly complied with the characteristics of doing things.