The Evolution Of "Mind" Factors In The Painting Of Late Ming Dynasty

In this paper,to the late Ming Dynasty painting of "Mind" factor for the study.According to Max.Weber's definition of ":the modern self-government is in chaos in the religious metaphysics of the value of the field of differentiation," "In this division of the arts have been interesting to judge moral judgments replaced,art will gradually assume a alternative religion 'salvation' function, making the daily lives of people from the same emancipated rational."when writing the introduction of the" subjectivity "of the" modern "in the context of the concept.Art "subject" of the concept of study of Confucian ethics as a knowledge system orthodoxy one of the "Mind" of the process of evolution.At the same time,in the study,"Mind," the evolution process will also be traced back to the whole orthodoxy of the origin of Confucianism,citing Hegel's "Aesthetics" concept in the development of the arts,under the artistic spirit and the objective existence of the main difference will be the relationship between the development of Confucianism is divided into "original Confucianism"(the objective existence of the spirit is greater than the principal) - "Science"(the main objective existence of spirit and harmony) - "Mind"(the main objective existence outside the spirit of overflow) in three stages,and gradually sort out in The three main stages of the spiritual world of the status of art.To explore the classical Chinese society,the arts,"subjectivity" of the awakening,the development process of the decline to the end.Specifically addressed in the main body of classical Chinese art and the process of awakening to Western society will be "modern" in the process of art produced by "subjectivity" factor with which to carry out the light.Through the comparison of two different outcomes,a more in-depth exploration of the classical arts in Chinese society,"subjectivity" of the reasons for the decline,and the reasons for the end will be slightly extended,statements present the development of the arts in Chinese society appears confused.