Explain The Taosim By Shape

The Chinese landscape painting produces in the Jin,the initial period landscape painting is the background which with the human activity,either the water cannot flow,either the human is bigger than the mountain,therefore has not been able saying that it is an independent drawing art.But the Taosim philosophy's esthetics thought as in the pre-Qin period is proposed,explains,and reaches in the consummation by the Lao-zi,Zhuang-zi one after another.After,in the processing of feeling and cognition with the Taosim,the natural scenery beauty by the people was discovered gradually, and becomes the primary coverage of the drawing,the landscape painting becomes an independent art gradually,and grows strong rapidly.Relative portrait and flower-bird painting,the landscape painting in the ancient drawing history was occupying the main status of painting world of China as long time.The Taosim philosophy with one of Chinese esthetics important thoughts foundations,it is affecting the creation idea, esthetically ideal of this traditional art profoundly,and enables it to have the profound cultural connotation,the rich national characteristics and the unique artistic charm.Taosim thought that "the human originates of the land,the land from the sky,the sky originates from the 'Rule',the 'Rule' from the nature."so,the beauty from the nature,the naturally is the most beautiful,this first requests the artist has the sincere love to treat the drawing art and the world things,"is insincere can move the human", only has the sincere emotion to reveal naturally,can move the feeling of the people, insincere emotion can only create vulgarly.Chinese landscape painting pursue "marvelous work","outstanding",its style may have millions of kind,but regardless of being vigorous,rich,or succinct,light,so long as is conforms with natural rule nature,it is the most beautiful.Taoism's esthetics idea take naturally as beautiful,the scenery is the symbol of the nature beauty,is "Rule" appearance,the emotion of people enjoy the scenery are approach the invisible "Rule" in world.In the Taoism philosophy's "Rule" is unifications of empty and solid,does not have with some,it is evasive,but actually exists in all things,"the true sound cannot hear,the true shape cannot see",the "Rule" is this true sound and shape but to see and hear,it cannot see,and not to be able to listen,can only depend on the mind to realize from emotion,the nature scenery same of "Rule",it is equally spectacular, unpredictably,hazy but real,Therefore the Zong Bing said:"The scenery explain the Taosim by shape,but the person will happy",The most beauty must communicates with "Rule",the mystical scenery is Rule's appearance,so the landscape painting advocates the water-ink,the profound water-ink cannot represent any image,but may also summarize all images abstractly,it resembles does not resemble,its wonderful limitless,as Wang Wei said:"it is the nature's disposition,and the achievement of fortune merit".The landscape painting pays great attention to abstraction as calligraphy in the technique to use the pen highly,the pursue "the simple portray can express the physique,naturally" by expresses the picture well "the ideal condition", causes the work has more connotation,"the ideal condition" is the painter produces mutually in the creation process with the concrete scenery and the abstract emotion becomes,as the drawing value core,it is light and the solid unification similarly,the ideal condition may let the human have many associations from one to the other from the shallow to the deep,it is "outside the image","outside the meaning",touch the beauty of ideal condition possibly only then goes "to realize that",its evasive characteristic is manifesting the basic characteristic of Rule.The Chinese landscape painting is fastidious "keeps the blank","to regard black in vain" in the position arrangement,is also the Taoism viewpoint in artistic practice manifest that unified of the has and does not have,light and the solid.Taoism advocated that "the human and the day is interlinked",human's Rule conforms with the sky,opposed all behavior that twist natural disposition of the person because of the common custom benefit,to violate the rule of the thing,its superhigh common custom's thought guides the people to place the value idea makes every effort to sublimate the individual life depth,to open the energetic life domain broader,therefore,the ancient landscape painter liked living in seclusion in the mountain,was the friend with the forest,mountain,streams,and the smog,cloud, advocation the freedom and relaxation of spirit,disdains in the competition and battle of the common custom fame and fortune,"rather does not have the meat to eat,also cannot not have the bamboo in the home" the ideal has become the instinct which each landscape painter should have.Which dynasty no matter ancient times's landscape painting did develop,no matter the style,the appearance,how the technique and so on did change the development,it pursued was interlinked the subject which with the Rule's beauty was unchangings eternally,therefore,the traditional Chinese painting and the Western drawing are different,it can be reads,enjoy,and has the deep cultural inside,but, since opens the country,the foreign culture and art's impact and the influence the landscape painting,it presented the new appearance,"the words must follow the time",the improvement tradition drawing is ultimately,but in this transformation, some argument the value of the water-ink not stop,some attempt the new material, the new drawing technique unceasingly,even is uses chemistry material,to spell pastes "the drawing technique"......The treatment tradition we knew that must take its essence to go to its dregs,in this chaotic war as if somewhat superficial transformation,whether we had considered what is the landscape painting art essence prudently and earnestly? The question is not only uses any material,to use what kind of technique,also continues trades one or two performance subjects simply,the more importent question is traditional culture connotation that we accumulated several thousand year,is Taoism esthetics that abandons the material representation,hides behind the beauty of ideal condition,It is the "spirit" of landscape painting,lost the "spirit"the pepole will without any opinion,and to accompany blindly possibly, therefore,only then have the physique and the spirit all can create brightly,the full of vitality art,has clearly recognized this point,we as for easily do not lose the self-national natural disposition in the Chinese drawing's modern reforming process, blind,superficial,the noisy crowd resembles catches up with the tidal current of the western-style painting.The Taoism philosophy light fame and fortune,the opposition battle,advocated that the human nature liberalization development the thought is the scavenger of modern society people's mind,our time needs to have this kind of work to comfort the impetuous people's mind.Some attempt that disregard the national culture value, the extreme,radically,but not in the least connotation,can only be similar to the meteorite which crashes flies to extinguish,does not have any significance in the landscape painting development process.