Analyze The Taoist Concept Of "Nature And Humanity" Influence On Contemporary Chinese Landscape Painting

Landscape oil painting in China’s contemporary special geographical and era background, its development inevitably influenced by the Taoist view of "harmony between man and nature". Today, given that we are not in the middle of a western advocate objective realistic environment, the Chinese painter is unlikely to be simple just imitate the western objective realistic techniques, but has its own historical background, has made the appropriate adjustment. Taoist thought "the unity of nature and man in traditional culture has been the essence of traditional culture in our country, the combination of the two to make a theoretical study is very important.The main content of this thesis has three chapters, concrete structure is set as follows:the first chapter explains in detail the daoist connotation of "nature and humanity" view; Then in the second chapter on the development of Chinese contemporary landscape painting are summarized, and the problems appeared in the development of the overall combing; The third chapter is the core part of the article, the first section, the author expounds the contemporary Chinese landscape painting on the profound understanding of "nature and humanity" view, the second section discusses the contemporary Chinese landscape painting on the expression of "nature and humanity" view, and made a detailed example is demonstrated. In the third section, the author combines own landscape painting sketch and graduation creation practice, further demonstrates the point of view.The main purpose of this paper is to dig deeper into the Taoist view of "harmony between man and nature" and the inner link of contemporary Chinese landscape painting, combined with the case, so as to demonstrate the Taoist "nature and humanity" on important influence to contemporary Chinese landscape paintings.