Fang Fang's works takes the urban civilian and intelligentsia's living and character as the subjects. In recent years, FangFang's novels with the women theme are independent gradually, which is to be a writer's conscious creative pursuit. She insists on thinking the women's fate with her cool writing, profoundly reveals the dazzling life of women in the present difficult situation; the pursuit of their spiritual homes.This paper will be divided into three parts except the introduction and conclusion.Introduction introduces the unique style of the FangFang's creation. Also, in this chapter, it outlines the fate of women's overall grasp, especially the fate of urban women.The main body describes the fate of women in FangFang's writing form three perspectives.First part: After the Ethics Anomie, Utopian spirit's resolution: sundry description of the women's fate in FangFang's novels.Fang Fang break the myth of family warmth and love, to give women the fragmented sense of survival, describing the women's personality and the tragic fate of alienation in the ethics of contemporary urban wasteland.Second Part: Lost in the search: migration in the confrontation between life and death of women migration.Based on the spirit of the breakthrough, described by the FangFang's writing of women showed resistance to three states: the secular bear, the high tenacity and despair in the abandoned.The Third Part: hard to survive in the urban space: Reflections on the fate of womenThis part describes the resistance made by women to the fate is feeble, which effected by the heterogeneity of urban space, a solid main male culture and women' own weakness. Women stay away from love and families, the living state cannot be changed with the progress of civilization, which confirmed "the conflict between the inevitable requirement of history and the fact that the requirements which cannot be achieved.The conclusion shows the women's rebellion methods are undesirable. Also in this part this paper points out some shortcomings in FangFang's writing. |