Deduction In The Process Of Acceptation

This paper is divided into three chapters, rooted in the relationship between Japanese culture and Bai Wei, and even the relationship between Japanese culture and Chinese culture, to express the collision, reception and exceeding among them, from the perspectives of the influences of the total Japanese social culture, the group writers of Naturalist camp and the individual writer Valley Kawasaki Run Koizumi respectively, in the mode of plane, line and point.In the first chapter, I try to analyze the impacts that the whole Japanese social culture has on Bai Wei. Because the heavy burden of living has completely exceeded Bai Wei's sustainability, a sense of death has appeared on her. It has generated a collision with the presence of death that exists in Japanese social culture. Bai Wei accepted the view of life and death, as well as the fate of reincarnation in Japanese Buddhist to reduce the heavy psychological burden. Death and survival are originally the "global factors"that all of the human beings face. In the similar issues, Bai Wei absorbed the sense of transcendence in death, and jumped out of this empty powerless transcendence. Meanwhile she transferred her fear of death to the real life and the ultimate concern to the public, and realized the sublimation of the meaning of life. This is one of the main reasons why later Bai Wei put her whole life experiences to social reform and people's living conditions. She learned from the advanced ideas on reform in Japanese society, and according to the social environments, she put forward a series of feasible suggestions and ideas in the form of literary works, and completed the historical responsibility that an intellectual had on his own country.In the second chapter, I try to analyze the relationship between Bai Wei and Japanese Naturalist camp, mainly from the perspective of the impacts that group writers had on individual writers. Baiwei's painful life experiences have become the driving force of her literary works, while the literary characteristics of the Japanese Naturalist camp emphasize the truth of life and emotion. The "fuse" of Bai Wei's difficult but real life experiences has become the most direct reason why she accepted Japanese Naturalism. She needs to use literature to express all of the disasters that life gives. The "reality" of humanity and emotion and the compassionate spirit caused by the hard life are related to the Japanese culture of sorrow" spirit, and all of these have become the "global" factor (common) influenced by Japanese Naturalist camp. Bai Wei expressed them in her works thoroughly. On choosing the "sex" and "love", Baiwei abandoned the literary characteristics of Japanese Naturalist camp that focused on sex. As a Chinese new female, she sought the harmonious combination of soul and body and surpassed the Japanese culture bravely.In the third chapter, I try to analyze Bai Wei's acceptation and surpass of the Japanese writer Valley Kawasaki Run Koizumi, mainly from the perspective of the impact of individual to individual. They have the similar bumpy emotional experiences, the understanding of human nature, and the degree of the deep love for the literature, so it is not hard to understand why Valley Kawasaki Run Koizumi becomes Bai Wei's favorite writers. Through the exciting point of the emotional twists and turns, Baiwei found her bosom friend and had a resonance with him. In her works, Baiwei draw some lessons from Kawasaki's unique "Khaled" structural model. But in the course of this acceptance, we should not ignore Bai Wei's initiative role, and in the time of accepting Valley Kawasaki Run Koizumi, Bai Wei made some understanding and interpretation of the Japanese culture "taboo emotion "that her works contained according to the Chinese cultural tradition, which went beyond Valley Kawasaki Run Koizumi and formed cultural proliferation.