Backed By Tradition, Facing The Future

Wei Minglun is a famous Chuan Opera playwright in the new era. It has been a hot topic about him and his works in the field of playwright. With his talent and hard work, Minglun has opened up a new road as intermediary space from the spirit of traditional Chinese opera to modernization regardless of current downturn trend of opera. It is necessary to study the plays of Minglun from the perspective of "modernity". "Modernity" is not only the conversion of Minglun's play writing, but also is his overall creation vision. Meanwhile, It is a very good cutting point to study the literature of modern opera."Antifeudalism" is the theme of Wei Minglun's playwriting, as well as is the important issue in his works connecting traditionalism and modernism. Minglun strategy of the anti-feudal, mainly concentrated on two aspects. First, against male discourse, which is based on the feminist position, such as Pan Jinlian, Twice Chung Yeung Festival , and Sichuan; Second, against feudal autocracy, which is the sworn enemy of democracy and modernization. This is because the development of China's modernization had once taken a lot of abuse of the autocratic detours, causing irreparable loss and tragic. The bold and easy and Bashan Scholar are such autocratic exposed and criticized works.Chinese traditional opera is an art of profiling. The emergence of facial makeup is a progress in Chinese traditional opera aesthetic, which have had a far-reaching impact on opera performances. However, a general abstract "types" of the personality from the mask replaces a lively character. With the spirit of respecting "individual", it is inevitable to criticize profiling. From Jingyesi to the Pan Jinlian, then the afterglow Ky Son, it has run through this critical spirit.Nationality should be the modern course; modernity based on ethnic basis. The goals and values of nationality is in the pursuit of modernity; modernity world requires a global vision and awareness. Chinese princess Turandot, The Good Woman in Sichuan and Good Woman·Bad Woman are Wei's ideal construction based on the national and world literature and have fully demonstrated the Chinese drama writer's spiritedness and confidence. Wei Minglun's tragic work is the Beautiful from the traditional local opera reflection, inheritance and Western theater traditions. Among the exhibits on the fate of as well as the concerns of civilians, which is a fate and civilians tragedy. In China's modern dramatic literature, Guo Moruo and Cao Yu, each of them has established a monument by their own dramatic talent for us. Wei Minglun's sudden appearance as a new force, relied on his own talent and set up a tragedy beautiful milestone for us. Guo Moruo, Cao Yu and he forms the three-way confrontation together, has greatly enriched the Chinese play esthetics.