A Study On Relation Of Painting And Calligraphy In Washing Landscape Painting Of The Time

It is obvious to all that the visage of washing landscape painting takes on pluralistic and the expressive technique is changeful. But in the circs, the various problems gave prominence to us. Many pictures attached importance to exterior representation, but neglected internal "beauty". Many painting works only represent the extending of exterior modality representation rather than pay attention to the prolongation of internal "beauty"... the problem of it which reflects the integrated viewpoint of painting and calligraphy were neglected in the washing landscape painting of the time. This text bases itself upon the status quo of the relation of the washing landscape painting and analyses its causation to attempt to achieve analysis of essential integration of painting and calligraphy from the washing landscape painting of the time. From realistic significance of "from writing into drawing" anew once again, it shows that the standpoint and viewpoint of the author in the relation of washing landscape painting of the time. The thesis divided into five parts: introduction, the first chapter, the second chapter, the third chapter, epilogue. Introduction mainly analyses on the innovation generally in history of the washing landscape painting and point out the significance of the subject. The first chapter mainly expounds on the status quo of relation in the washing landscape painting of the time generally and analysis of causation. The second chapter emphasizes on the analysis of relation of "from writing into drawing" once again to essence of spirit in the washing landscape painting and research into influence and facilitation of delivering calligraphy using to spirit of drawing. The third chapter focuses on the comprehension and analysis of real-life significance "from writing into drawing" in the washing landscape painting. Epilogue mainly stresses on making summing-up on this whole text and pop out the standpoint and viewpoint of me. I think that the pluralistic development of washing landscape painting of the time can't attend to trifles and neglect the essentials. Dissolving difficulty all the time, sacrifice the pursuit of sublimity, even simplifying the persistence of writing...all of these aren't the good means to the development of washing landscape painting of the time.