A Study On Drawing Skills Of Landscape Painting By Using Chinese Writing Brush And Ink

The landscape painting is one form of paintings in China.In the landscape painting,the pen-craft language is the way to express and present form.In the process of the many traditional landscape painters to explore,the pen-craft language has formed a valuable system.If we want it to be innovative,the f irst thing is to know well of the tradition and essence absorption and dross discarding is very important and then it can be innovative after constant practice.T he pen-craft language is the unique language of Chinese painting,the essence of the landscape p ainting,the carrier for the painters to express their emotion and an important project since ancient times.From the research of the topic,it is helpful for us to have good understanding of the pen-craft language and to promote the positive development of Chinese landscape painting.Based on research results,we review the performance of the pen-craft language in landscape painting and focus on and the comprehensive analysis of theory and practice aspects combined with the experience the author of the study and practice analysis.The deep research of study of pen-craft language in the performance of landscape painting has a certain practical significance.First of all,this thesis combs the development content of landscape painting history and describe it by stages in order to let us know the different characteristics and development directions of the landscape painting in different stages.T hen the overview,the definition and the connotation of the pen-craft language would be explained.Thirdly,the thesis has an analysis of pen-craft language embodied in landscape painting through the research of the techniques,the spirit and the combination between China and the West and then we have a good understanding of the techniques,aesthetic tastes and art spirit o f the landscape painting.What's more,by the analysis of the specific case and artists' work,we analyze the inheritance and development of two styles namely simpleness and vigorous in the landscape painting.At last,this paper explore the application of th e pen-craft language in landscape painting based on practice.For the academic value of this thesis,it explores the embodiment of the spirit by the pen-craft language in the works and improves the inner beauty and artistic styles of pen-craft language.From various perspectives of the painters and the works,to take the pen-craft language as a theme to research is of significance because it lets Chinese landscape painting become more national,epochal and spiritual and becomes one form to build colorful spirit of the Chinese culture art.