A Study Of Li Zhiyi's Poems And Ci-poems

Li Zhiyi is one of SuShi 's disciples and a member of the literati group in Yuan You period. His poems are the part of the multitudinous sound in that age's chorus. In the circle of literature creation, Li Zhiyi is not one of the first-class writers, but he still has achievement to some extent.li zhiyi's works is studied in this dissertation in four chapters: his Ci-poems , his poetry content, his poetry artistic feature and his poem theory . The author first conducts speech perception and speech analysis toward concrete works , and then makes a systemic study on the thought content and artistic characteristics of Li Zhi-yi's works with the history of the literature and the poetics of song dynasty as the background, in order to make the literature theory, the concrete writer and his works prove themselves mutually. Under the background of the Song Dynasty poetics ,we can probe li zhiyi 's poems, and on the other hand ,we can prove poetics of song dynasty by li zhiyi's poems .After carrying on to "Guxi ci-poems" attentive reading and meditation , the author discovers that they are the Erotic Ci-poems primarily, which especially describe sentiment of lovesickness .Then, ,the author carries out concrete analysis to the content, the artistic technique and the artistic feature. The thought content and the artistic features of Under the background of Song Dynasty poem study, Li zhiyi 's poems both manifests the age's characteristic, and prominent individual characteristic through concrete analysis of poetry language. On the basis of his poems, his letter, his topic postscript, and coupled with some Song Dynasty poetic notes and his poems, the author makes a comprehensive study and discussion on Li zhiyi's poem theory.The author has absorbed ,collected and inspected academic achievements abundantly under the guidance of collating theory of ancient documents in terms. For example, the idea of transformation question( "the Poem Articulating the Mind Intently" changes into "Sing for temperament" in the poetics of song dynasty). Huang Tingjian and Yan Yu advocated the idea of "Sing for temperament" . Then what is the difference between them? In addition, how to understand citing Chan Zong (a school of Buddhism)words to compare the poems, and how to understand the feature of poets in Song dynasty who "write poems as articles" , and so on. Then perhaps we will have further discussion on such questions.