A Comparative Study Of Poems And Ci Poems On Objects In The Late Southern Song Dynasty

As a genre with a long history,the works of chanting things occupy a place in Chinese classical literature.The academic research on object chanting poetry and object chanting CI in the late Southern Song Dynasty mostly focuses on the respective fields of the two styles and mostly stays in the aspect of object chanting CI.There is a lack of detailed and in-depth discussion on the relationship with other styles,especially the object chanting poetry with the same theme orientation,and the research perspective is relatively single.In the late Southern Song Dynasty,the social and cultural environment changed greatly.The theme orientation of literary creation can reflect the writer’s creative mentality to a certain extent.The literature of chanting things reached the peak of development in the Song Dynasty,which has its profound historical and cultural reasons.Therefore,this paper compares the poetry of chanting things and the Ci of chanting things in the late Southern Song Dynasty,in order to further explore the genre characteristics and development differences of the literature of chanting things in the broad social background of the late Southern Song Dynasty.This text is composed of four chapters.The first chapter is the comparison of the subject matter analysis of the poems chanting things in the late Southern Song Dynasty.It intends to make statistics on the number of writers and works in the late Southern Song Dynasty,and investigate the basic creation situation of the poems chanting things and the poems chanting things in this historical period.On this basis,it analyzes the material preference of the poems chanting things and the poems chanting things in the late Southern Song Dynasty.Specific steps: summarize the general appearance of the theme creation of chanting poems and chanting CI in the late Southern Song Dynasty,and make a detailed comparative interpretation on the choice of theme and the connotation of the times.In order to present the research object clearly,this chapter intends to use the methods of category statistics,data quantification,summary and induction,with abstract language supplemented by image data,to analyze the reasons and research characteristics on the basis of description.The second chapter is the comparison of the ideological connotation of the poems chanting things in the late Southern Song Dynasty.It investigates the influence of the status,realistic situation and spiritual mentality of the literati in the late Southern Song Dynasty on the features of the poems chanting things,such as the orientation of the theme,the choice of the image form,the use of the way of expression and so on.For the sake of discussion,this part intends to classify the literati into groups and investigate the poems and Ci of chanting things in the social and cultural background of the change of literati’s fashion in the late Southern Song Dynasty.The third chapter is the comparison of the artistic techniques of the poems chanting things in the late Southern Song Dynasty.Combined with the methods of close reading,stylistic comparison and mutual verification of poetry history,the paper investigates the achievements of the poems chanting things and the poems chanting things in the late Southern Song Dynasty,and probes into the aesthetic characteristics of the poems chanting things and the poems chanting things in the late Southern Song Dynasty.The fourth chapter is the comparison of the aesthetic styles of the poems chanting things in the late Southern Song Dynasty.It examines the differences between the stylistic function orientation and emotional connotation of the poems chanting things in the late Southern Song Dynasty,and explores the unique cultural taste,artistic realm and aesthetic pursuit of the late literati.In the conclusion part,the author further thinks about the influence of the poems of chanting things in the late Southern Song Dynasty on the later literature of chanting things,in order to make a fair and objective evaluation of the poems of chanting things in the late Southern Song Dynasty.