Researching On Mawangdui T Shape Non-cloth Painting On Silk's Image Culture

In the year of 1972, it is Unearthed the Mawangdui T Shape Non-cloth Painting on Silk which shocked the world, It demonstrats the infinite universe that is richly and colorful, it is Extremely rare not only in Han Dynasty, but aslo in entire Chinese drawing history, it provides a brand-new angle ofview For the people to know the Chu culture. The author found in reading the massive correlations literature, use researching ways of Iconology and Cultural Anthropology, conformity and research Mawangdui T Shape Non-cloth Painting on Silk's related content. The author discuss the Mawangdui T Shape Non-cloth Painting on Silk from three aspect(culture, image, composition rule of picture). From studying the Chu culture, under the Chu culture's historical environment, conformitying literature material and unionning folk interviewing, analyzes the certain special historical reasons and the cultural background in the Mawangdui T Shape Non-cloth Painting on Silk's artistic form, and finds its concrete characteristic. From painting on silk's formation reason, painting on silk's developingprocess, through contrast research, discovering the Mawangdui T Shape Non-cloth Painting on Silk's own characteristic, as well as putting the position of which occupies in the entire painting on silk's history, regarding the dispute place of the Mawangdui T Shape Non-cloth Painting on Silk in academic circles, through the investigation and study, proposing own viewpoint, studying the differently place of Mawangdui's 1st and 3rd grave's two T Shape Non-cloth Painting on Silk, and make the explanation of picture subject, netherworld phenomenon, zhu nine feminine elements the heaven releasing again, ascending to heaven and the sacrificial offering, which contains in the Mawangdui T Shape Non-cloth Painting on Silk, moreover, the author making the key research to jinwu which contains in the Mawangdui T Shape Non-cloth Painting on Silk. From visual transmission angle, unifying the my ownself's specialized special skill, studying the image artistic form in the Mawangdui T Shape Non-cloth Painting on Silk, Horizontal and vertical, from open and gather, balance and symmetric,moving and static, contrast and unification, carrying on some certain discussion to the Mawangdui T Shape Non-cloth Painting on Silk, summarizing its composition rule.