The Study Of Naruse Mikio

Naruse mikio has be praised for one of the fourth great director in Japanese after Mizoguchi kenji , Ozu yasujiro , Kurosawa akira.. Until now, the research about this director hasn't begin systematically, almost no one pay attention to this great of female doctrine director. The research of this text is all aspects, such as the personal life about Naruse mikio ,the forming process of his create thought, the director's style and technique of expression, the film esthetics characteristic, etc. Naruse mikio's creation thought began with the Kamata style and Argosy style, at last he located in a female doctrine director, the actress in his films were the female, who lived in the social underlying,those people were not perfect, but had many faults which made the female image more reality and humanity. Naruse mikio's films reflected the living situation of them, in the meantime, give a kind of unyielding conflict spirit to female, it is to affirm the good intentions of mankind's spirit. In managing the film ,Naruse mikio has a series of his own original way and special performance form. This text is just to analysis the clear and personal element performed from his film, and look for his creating characteristics from adjusting the top of one degree to motion flowing. The skill which Naruse mikio like to take with photographing from the outside of the baluster results in discomfortion of appreciating psychology, it is suitable the meaning of his film. The condition which uses "L" a form adjusts one degree tension of the appearance inner part of the center formation of the sense of vision interest which displays to perform process in not only 1;But the motion fluxion possessed singly by him the usage of the montage all displays to direct to work with diligence and without fatigue to the art of pursue. Naruse mikio has changed the montage theory, and made the narrative as one of powerful way back to the second stage, instead of it, the tension between photographs and the emotion in back of photograph have stayed in the first stage. Naruse mikio's films have expressed an obvious esthetics characteristic, which is the most obvious among the Youxuan in the oriental culture and its relationship with "Can enjoy" performance of Zen. The Youxuan of Zen request mind to touch the world, in the performance, the actor must using mind, not body, in this way, he can reach the most stage of art——nothing in the Youxuan. Can enjoy is one important part of traditional Japanese culture. In the Naruse mikio's film, Can is in the everywhere, it can express a special culture system and local characteristics, also people's characteristics under this culture system. Can is the most powerful tool to express the special culture system. Therefore Naruse mikio's films have heavy Japanese race taste, they have become the effect emollient to spread Japanese culture.