Research On Montage Phenomenon In Narrative Painting

The topic of this paper is "Montage Phenomenon Research in Painting",this paper takes montage as the node and entry point,the exploration of the origin of Eisenstein’s montage "beyond the lens" as the basis,and the interart as the theoretical basis,to reveal the spatio-temporal relationship and the characteristics of spatio-temporal expression of painting.Explore the montage phenomenon implication in classical painting narrative works,discuss the montage phenomenon expression in the reform of modern painting creation mode,analyze the montage phenomenon appearance in the reform of viewing mode,and reveal its research value significance and development trend.By sorting out the research background and summarizing the current situation,the thesis and question of "Montage Phenomenon Research in Painting" are established,that is,whether painting,as a two-dimensional plastic art in plane space,can break through and surpass the limitation and limitation of its own definition,and whether painting can achieve the desired goal of more freedom and idealization through creation.Whether the painting can reflect the image narrative,spatial narrative and spatio-temporal motion effect.Based on this,this paper proposes a discussion on the relationship between painting and montage,and further explores the logical starting point of "Montage phenomenon research in painting" to ask what,why and how it is.The research content is carried out on the basis of discrimination and clarification of category,proposition,topic connotation and relationship.Based on the analysis of the relationship between film and painting,this paper takes montage as the node and the breakthrough point,and proposes the basic conditions for the research of montage phenomenon in painting.On the one hand,it explores the origin of montage "beyond the lens" of Eisenstein.To explore the genes,causes and germination of montage phenomena contained and bred in "instant uptake","temporary retention of vision","inherent consciousness","decomposition" and "combination" of paintings,which not only get inspiration,reference and reference from Eisenstein’s research,but also provide literature basis for practical perception and experience accumulation.On the other hand,the theory of art intersexuality,the theory of "simultaneity" and the theory of intertextuality are discussed to demonstrate the mechanism and logic of art "general law" and art crossing,clarify the logic of the relationship between painting and montage,and provide theoretical support for the cross-boundary application and cross-boundary research of montage.Paper respectively from the central part of painting expression of time and space,narrative,writing way,watch the way the four dimensions of a body composition research perspective,focusing on the core content of the research,based on the material in question the empirical and theoretical analysis to argue,surrounding the topic ideas and propositions exposition,on the basis of innovative combined with solid prominent theoretical value and practical significance.In order to solve the problem of time in painting,this paper analyzes the relationship logic between painting and montage from the perspective of time and space.On the one hand,based on Lessing’s "the moment of gestation",this paper discusses the temporality of painting,and reveals that painting shows the tension of time and the characteristics of time freeze,delay,implication and time space in the decisive moment,thus generating the montage phenomenon of space-time transformation,space-time interlacing and space-time movement.On the other hand based on sawyer put forward "the third space" to explore painting space reconstruction significance,"the third space" is in the material,spirituality "first space" based on "the 2nd space" to construct a system of multidimensional stereo and cross of mesh space,highlights the concept of modern space integration,openness,liquidity,diversified characteristics,The breakthroughs and painting the restrictive,finiteness and limitations of time and space boundary points,deepening the painting space tension and implication of time and space form of space time and the time space interaction isomorphism expression of space and time characteristics and the dialectic relationship between time and space,transformation of time and space,time and space crisscross,montage phenomenon characteristics of space and time,Therefore,it promotes the construction of montage spatial and temporal expression in painting,which has the innovation,theoretical value and practical significance of the reconstruction of the spatial and temporal relationship of painting.From the narrative perspective drawing narrative way and the montage of logical relationship,aims to solve the problem of painting in the narrative,similarities and differences between painting narrative montage narrative,and from the Angle of subject theme,shape,form focus narrative features of classic painting,focusing on the one hand,Chinese classical painting works,It reveals the narrative characteristics of temporal spatialization and spatial temporalization,such as paragraph,fluidity,point and surface,disconnection and scatter,which are similar to those of montage types,such as parallel montage,cross montage,scene montage,paragraph montage,structure montage and collage montage.On the other hand focus on western classical paintings of religious narrative works,revealing the theme of the bearing religious theme of church frescoes images,patterns,scene,composition,structure,language,decorative means and form of ideological content implies,the excavation of the painting instantaneous fixation time delays and schema structure space of movement,space and image card history narrative montage narrative implication,Therefore,it promotes the construction of montage narrative mode in painting,which has the innovation,theoretical value and practical significance of reconstruction of narrative mode in painting.From the perspective of creation,this paper discusses the relationship logic between the transformation of modern painting creation mode and montage method,aiming to solve the problem of the transformation of modern painting creation mode from reproduction mode to expression mode.With modern painting from representation to expression,concreteness to abstraction,material to form,experience to transcendence,structure to deconstruction and other concepts of renewal,promote the reform of the way of creation.On the one hand,with the vanguard,treason,criticism,reflection,transcendence,autonomy,diversified ideas and the spirit of the main body of western modern painting,Innovation and reconstruction of symbol,metaphor,allegory,irony,deformation,absurdity,magic,collage,abstraction,impression and other creative methods,formed the trend of the rise of modern painting ideological trend and the transformation of modern painting development,in the narrative and post-narrative,structure and post-structure,deconstruction and reconstruction of the painting space to deepen and expand.On the other hand from the modern Chinese painting in the new era trend occurs repeatedly,genre scene formed by the rise of the trend and in the process of modernization,marked by "85 art trendy" concept method updates and creative way,change to modern ink debate marked by reconstructing the white space of black and white,artistically,artistic conception,dense,far out,vivid,virtual and creative inprove tension of freehand brushwork in traditional Chinese painting,It highlights the characteristics and aesthetic effects of montage creation in the reform of modern painting creation mode,thereby promoting the construction of montage creation mode in painting,which has the innovative,theoretical and practical significance of the reform and reconstruction of painting creation mode.To explore the logic of the relationship between the change of modern viewing mode and montage viewing phenomenon from the perspective of viewing,aiming to solve the problem of visual movement in painting viewing.On the one hand,from the function of deconstruction and reconstruction produced by the isomorphism and construction of frame-frame relationship,the mechanism and mechanism of frame movement resetting frame,frame deconstruction and reconstruction promoting frame movement are revealed,so as to produce the montage visual movement effect of frame-frame complementary and bidirectional isomorphism.On the other hand,from the perspective of painting viewing field research,it discusses the effect and influence of the spatial transformation of private,public and productive fields on the viewing mode,and reveals the visual production and reproduction of the "way of viewing" and the significance of visual culture construction in the relationship between viewing field and viewing mode.Again on the one hand,produced when viewed from the film montage,role and influence to watch watch mode from tradition to modern,watch the way change and transformation form movement and vision image motion interaction isomorphism of modern ways of watching,thus promoting montage means watching in painting,a painting to watch the way change and reconstruction of innovative and theoretical value and practical significance.On this basis,the local art exposition for painting montage phenomenon in universal significance,the montage phenomenon from painting to other art is rich and colorful,literature,drama,music,photography,dancing,acrobatics,garden,design type form is complete,is both a stereoscopic multi-dimensional expression and diversified forms,It also constitutes the linking and linking of the phenomenon from the "pre-montage" before the montage to the "post-montage" after the montage,which clarifies the mechanism mechanism,knowledge pedigree and constitution logic of the montage generation and construction.In the rise of new arts,such as new media art,cross-media art and integrated media art,which are based on globalization and modernization,technology,media,Internet and digitalization process,montage is frequently used and just right.Montage phenomenon and cross-field application of montage are moving from spontaneous to conscious.Then explore and summarize the development of montage and the phenomenon law of montage,reveal the characteristics of isomorphism and interactivity law,explore the theoretical value and practical significance of montage ontology,method theory and montage aesthetics,and reveal the direction of the construction of art montage system,so as to achieve the goal of promoting the innovation and development of contemporary art.It has the creative theoretical value and practical significance of montage phenomenon research from painting to art.