The Building And Analyzing By Native Language In Lacquer

Began with the Chinese Modern Art Movement in the middle 1980s, based on the modern art criticism, the modern lacquer actuality and the modern lacquer theory, combined with the historical and cultural background of modern lacquer, this dissertation objectively expatiated the development of modern lacquer over the past decade years.During 1980s, two clues are concluded in the dissertation. First, there are lack of concerns on native language in Modern Art Movement in the middle 1980s. Second, the Chinese Modern lacquer Art has serious limitation on the art essence.In accordance with the two clues mentioned above, the dissertation deeply analyzed the difference between "lacquer" and "painting", which is liable to bring "different opinions" in lacquer art language production. Furthermore, starting with the innovation groups, innovation means and the innovative concept from nature to modern art, the dissertation discussed the change of modern lacquer art over the past decade years. Finally the fundamental development of modern lacquer art named -and finding a native language is argued. In exploring modern lacquer with a local language song, the relevance of a two-level, a situation.The article has been through a few of the local culture, and with the beginning of the 1980s Chinese art movement analysis lack of concern for local culture.In the article, a lot of the use of artistic works of issues related to the purpose and meaning is to better explore lacquer as a modern art a member of the artistic value should reflect where and at the same time can not be discarded for lacquer creations emerging materials, techniques and art among "different opinions" analysis and feasibility studies, fully affirming materials, techniques while lacquer art that the real charm of the language, not to seize encompasses physical and the freeing of the soul ministries.