| The story of Wenjun eloped Xangru spreads from history until now, already became an important point in the traditional opera, the Yuan Ming and Qing Dynasties three generations, take this as the theme opera may be presented an impressive sight. However the opera actually always not once had the scholar to take it as a whole to study, this might be the innovation place of this paper.But the overall artistic level of this kind of traditional play is not certainly high, thus choosing appropriate dissection is very important. The author chose the gender theory to take own main theory tool, and proved in the first part of preface that the necessity and the feasibility of the gender fundamental research. Its necessity we can see from the importance of feminist critique, the Chinese several millenniums male power culture tradition as well as in the traditional opera gender research present situation. But the feasibility that uses the gender fundamental to study traditional opera is the methodology foundation of this paper, namely aims at the literature which has the universal significance——the play of Wenjun and xiangru, emphatically analyzes both sexes relations——hero and heroine, specially the sex connotation in feminine image——the mold of Wenjun's image.The main part in the paper, the author divides three steps to carry on. First, both sexes relations from the text, through the analysis of hero's and heroine's contention, proves the major writers fall the attention to this story on the life which Sima xiangru, but Wenjun is only loose refined affairs in his life section .Qing Dynasty the "Wenjun Sells wine" of Shuwei is exceptional case.Then the author aims at the question on the image of Wenjun, four important parts we take of this paper: enters the stage, elopes, sells wine, the resentment recite as the clue, how different performance in different writers and compares with the image of history. Analyzes the characteristic Wenjun's image in the traditional opera.Finally unified time background of Ming and Qing Dynasties as well as writer's experience proves Zhuo Wenjun as the symbol in the opera text, has two meanings,namely the differences between "person" and "woman" . |
