Brief Review Of Sima Xiangru And Zhuo Wenjun Drama

Since being recorded in Shih Chi, the love story of Sima Xiangru and Zhuo Wenjun had always been recommended and recreated tirelessly during varied periods of history, and was put on stage numerous times in Yuan, Ming and Qing dynasty. The thesis try to analyze the varied features of the love story during different periods in the sense of history culture based on macro grasping its feature in those three dynasties and research its development in three chapters.In the part of introduction, the author summarizes the history of researching on Xiangru and Wenjun Drama briefly after reading and marshaling a great quantity of lecture material, and the special value of Wenjun Drama in Chinese classical opera is put forwarded and researched as the key in this thesis.The origin, development and spreading of the love story of Sima Xiangru and Zhuo Wenjun is sketched out in the first part. Besides, the author also summarizes the various recreated in different periods and the deposition of those works as well as different editions.In the second part, the reason in the aspect of social culture of different recreation and acception of Wenjun Drama's and in Yuan, Ming and Qing dynasty is compared and analyzed with the social cultural ideological trend as its background.The regular pattern of "being perceptual is bound to end with the rational, and being rational with perceptual" is expounded based on the general survey of the story's development in several hundreds years in the third paragraph, so the signifying of Wenjun Drama is inevitable. In the last part of the thesis, the way in which Sima Xiangru and Zhuo Wenjun story pattern influenced the content and narrating model of Chinese ancient story related to gifted scholars and beautiful ladies.To sum up, narrating and understanding the drama in detail, the author analyze the developing of the story and its culture background, and for this is the two-point superficial view of the story with authenticity and legendary.The characters of the story itself fit the appealing of feudal literatis, which make it been cited by all kinds of literary works. People express their stagnation by this story and achieve their dream which cannot come to true in reality in the culture world.Sima Xiangru and Zhuo Wenjun Drama took a way shaped as concentric circles during the process of being acted and accepted, which is related to Chinese traditional culture. Dominated by the powerful culture, the drama both push and restrict the development of the story of gifted scholars and beautiful ladies.