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Spiritual Homestead Of Soul Vagrancy

Posted on:2007-11-05Degree:MasterType:Thesis
Country:ChinaCandidate:G LiFull Text:PDF
GTID:2155360182998866Subject:Chinese Modern and Contemporary Literature
Abstract/Summary:PDF Full Text Request
Ms. Xiao Hong and Ms. Zhang Ailing are two genius of Chinese feminism literaturelast century. Similar destiny and life experience made many of their literature production incommon. Different living area and divergence of cultural edifications made their interestedsubjects at variance, which represents different characteristics in their production. Throughthe angle of comparative view, this thesis gives a detailed explanation to the difference infour aspects. In addition, it analyzes the reasons of causing these differences, throughwhich reveals the elegant demeanor of them.First, from the formation and development of their productive path and ideas, both ofthem experienced the following stages: vagrancy of literature ideals, opposition of femalespiritual, dissociation of epoch flames, and loneliness of life regression. Loveless in theirchildhood and vagrancy in their youngster established the deep tragedy color for theirwhole life and creation. The impact of marriage in their adulthood was doomed to theirpeculiar human care and female visual angle.Second, both of them were in consciously pursuit of feminism writing, whichpossessed the remarkable impression of feminism literature. They well depicted theoriginal existence image of Chinese ordinary woman, greatly showed duplex concern tofemale mind and body, fully revealed inhibition and suffering in the heart of women, andaccurately conveyed their aspirations from worrying about female mind and body. Byconcerning female fate, both of them expressed their criticism and castigation to malesupremacy, which can be cleared up this paramount authority.Third, their production embodied the peculiar and deep tragedy conscious. This partmainly gives a detailed explanation from the following aspects: the two authors' writing oftragedy of female and life, individual origin and cultural heritage of tragedy conscious,peculiar image romance and tragedy atmosphere. Their tragedy did not belong tothemselves, but also that epoch. Their life was dreariness, so did their production.At last, because of their talent in drawing, they preferred colorful world, which madetheir production colorful. Although they used a lot of colored languages, different lifebackground and space totally produced different layout. The color management of showingoriginality made their production different characteristics and styles. One is concisenessand straightforward, the other is pageantry and creativity. These styles showed theircolorful life details.
Keywords/Search Tags:Xiao Hong, Zhang Ailing, feminism, tragedy conscious, graphics art
PDF Full Text Request
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