The Metaphysical Reflection And The Construction Of The Existential Idea

Yu Hua is the writer growing up under the nourishment of foreign literature. He is considered to be " the most abundant writer studied ". The study on Yu Hua is mostly concentrated on explaining the literature value and meaning of his works in the past. The papers which concern Yu Hua's novels in comparative perspective are actually rare, and it is still a blank to make comparative studies about the aesthetic value of Yu Hua and foreign writer's works. The papers which totally study the development of Yu Hua's Poetics on Novels are more deficient. This paper studies Poetics on Novels of Yu Hua in a relatively extensive comparative field of vision. Three parts that the whole texts can be divided into are the preface, text, and conclusion of the speech. The text part amounts to four chapters.The preface describes the proposition background, the research contents, the research meaning and the basic research approach.Chapter one: The existential construction of the novel's spirit. This chapter is divided into five sections altogether. Section one discusses suffering consciousness and inner link with people's existence in Yu Hua's writing, and point out that survival suffering is general existence state that subject in real world must face. Section two discusses Yu Hua's attention to extreme circumstance, and relying on the establishment of this survival circumstances, it investigate the ability of subject to bear the suffering. Section three discusses Yu Hua's effort that is on the truth of existence relying on his preserve of circumstance of extreme survives. It has broken through for shape already the one writing but under experience of life take into consideration, rise to concerning that have for shape of the existence to people, that is to say spiritual expression of experience in people. Section four with resembles works of Xiaoluohuofu as taken into consideration Yu Hua suffering writing comparative perspective. Pointing out" Alive " of Yu Hua reflects the pointing and recognization of identity of the death and surviving suffering, while Xiaoluohuofu's " Human's fate " reflects the surmounting attitude to survive suffering and the death, but they are the compatibility with a certain thought in paying close attention to individual's circumstance of existing. Section five discusses the thought origin that Yu Hua reflects identity between survive suffering and death in "Alive ", China traditional survive intelligence, especially thought of Laozi and Zhuangzi, and existential philosophy have formed the thought foundation that Yu Hua says suffering, and says death.Chapter two : From " sign " to " subject". This Chapter is divided into five parts altogether. Section one's argumentation through query of entity of people's existence, point out that there is a existence circumstances of a kind of entity forfeiture that people face in Yu Hua's thought, The forfeiture of entity must cause the subject as the absence of the final source of the meaning, once the subject is no longer a source of the meaning, the possibility that the world of the meaning is constructed again will be reflected in the language. In section two, Using term " Ontological insecurity. " that psychoanalysis study is it expound the inherent spiritual reason that cause the fact that people lose inherent, and point out self- forfeiture of identity become inherent reason that people lose entity. Section three looks the thinking of this question of public housing of Anbugongfang department as the comparative perspective of investigating Yu Hua's works. Person who fit "Sand woman " of public housing display the state of existence of entity, while the state of disappearance of entity is displayed in " Blood plum blossom " of Yu Hua. Section four makes philosophy analysis about the two kinds of survive attitudes, it point out the state that entity disappear is a kind of people actually from being in itself to being. Section five discusses the reason that Yu Hua's personage who is a sign lack of entity and accept manipulation of destiny passively, changing direction to be the existence subject can bear self- destiny.Chapter three: The violence and death narrating. This chapter is divide into four altogether, section one is that Yu Hua accuses of the violence that is a extreme circumstance of survive, that is to say that points out a certain similarity of the violence and real world, in other words violence is the true exist state of reality .Section two is the argumentation about metaphysics of the violence, point out the efforts Yu Hua regards violence as the true state which- spies on the existence. Section three discusses the artistic expression of death, the result of violence in the works of Yu Hua. There are three kinds of death ways in Yu Hua's works. Which realistic form of the death, the illusion form of the death and spiritual form of the death. Violence narrative of Hemingway and Kafka conduct consult, study the deep meaning that violence narrative of Yu Hua, and either latent or apparent inner link between this meaning with them. The level that Yu Hua's violence narrative has already is same to theirs, just Yu Hua lacks a...