The Artistic Function Of Language Sense And Music Sense Over Human Vocal Behaviour Of Vocal Music Language

It is factual that human language is not confined to daillyexpressions. It, besides the daily one, can be categorized, according to the practical nature ,into musical language, painting language, architectural language, etc. Whatever language one uses, he must, in sake of a superbe transmission,possess the required sense related to the particular field. Such kind of sense not only includes the sense of field?particularized human language, but also the telegraphy between related languages, which surpasses the intension and extension of field-particularized one. All the senses determine intentional aesthetic creation and the sake of aesthetics.The human daily language can not be separated from the expression of affection and thought which are worked by human vocal language. In the process of expression, on the account of an orderly thought and lucid affection and a clear intention, the one who performs is required to cultivate a choice language sense which assures a succinct and logical organization of wanted affection and thought. Language of vocal music which resembles instrumental language belongs to the sub-category of human musical language. Such a language differs strikingly from that of other categories in the organic merge of a pure literal textual signs and the pure instumental acoustic note melody. Therefore, this kind of expression not only includes the language sense of expressed feelings and thought in daily life, but also it exels the limit worked by the daily languge sense, which is best exemplified by the improvement of textual expressions in life and the melodization of human sound pitch in textual expressions. That is to say, the combination of pure textual expressions and the melody of pure instrumental notes requires that the user of vocal music language must aquire both a good language sense and music sense which consists of the sound pitch, the soundquality, the tune, the rhythem, and the tempo,etc, needed in the expression of pure music. Thus, the language sense and the music sense become the indtspensible twin sisters for the human vocal agent in using vocal music as instrument of expression. Without a superb language sense and music sense, even the excellent throat can be only a machine that produces sound. And the vocal musical expression separated from language sense and music sense can be merely a kind of simple mechanical movementHowever, a good sense of music and language plus a pleasing throat can be only held as the basic properties and the basic material basis an agent should acquire. So, language sense and music sense just as human technical sound production are all fixed to the technical and basic levels. If one seeks to use a flexible and free human sound required by the vocal music language and mould out varieties of colorful images of artful vocal music language which suit the popular aesthetic sake, based on all the mentioned basic properties, he must fully exhibit the subjective positivity and creativity in moulding the world. The main performance of human consciousness over the creation and reform of the world is the perceptual knowledge and the rational knowledge of objective material conditions which include language sense, music sense, the vocal psychological property, and the sound-making techniques, and the subjectively flexible orienting arrangement of them. This kind of arrangement requires that human beings should make full use of the subjectively positive function in knowing the world, understanding the world, reforming the world, and creating the world. So the master of these properties and application of these properties to in human sound behaviour finally works in that the behaviour of human sound agent must meet the aesthetic feelings of the majority of recepients. When this kind of sense ascends to human subjective consciousness, it becomes the ability that the agent understands himself- the ability of the sense of utterance and that of the sense of music. The sense of utterance is psychological specific reflection triggered by human language expressio...