The Analysis Of Novel Writing Ideas Of Wang Anyi

In this essay, in accordance with the theory on how to write fictions mentioned in "Spiritual (mental) world" written by Ms. WangAn'Yi , the author tries to analysis Ms. WangAn'Yi's written style from different dimensions , such as material-collecting, emotion, idea. In Part One, the author tries to study the "material-construction" theory (so called by Ms. WangAn'Yi) involving language and plot. She believed, in a good novel, the language should be abstractive and the plot should be logical. By analyzing these characters, the author concludes that such theory will innovate the language harassment existing in fictional writing update and reinforce the aesthetic ductibility of traditional novels; In Part Two, the author tries to parse Ms. WangAn'Yi's affection and notion by discussing the quality of her affection, the accumulation of her reason, and her art imagination. Those aspects embody the combination of wisdom and spirit, which are the exploitable features in Ms. WangAn'Yi's fictional writing, so as to reveal the tacit activity of writing more clearly.In Part Three, the author interprets Ms. Wang's unique way to solve the problem of constructing spiritual world-the quality of cognition. The perfect of a novel is always decided by the quality of the writer's cognition. Referring to Ms. Wang An'Yi's writing experience, comparing the different expressions of the same writing material in her different writing periods, the author elucidates that the content doesn't decide the profoundity of literature, while the key is to find out a way to dip deeply. Therefore, even the description of an individual spiritual world could be splendid.In sum, Ms. Wang's writing theory is involving her distinctive personality and strong pertinence, which belongs to Ms. Wang herself, with a little rabid but rationality acquired by her exploration. And undoubtedly, it will strongly influence update's fictional writing practically.The more important thing is that, as result of the enormous changes of modernists' life-style and emotion comparatively to the past, if we'd rather insist the old writing idea than innovate new approaches, fiction, as an art form, would not subsist together with the inspirit of the era we belongs to. As far as to the new situation and problems, which the fictions are facing, Ms. Wang's theory on fictional writing is revealing another possibility of the existence of fictions and the development of writing.