On The Aesthetic Quality Of Ya-Ci Written By Scholar Of Song Dynasty

Song Dynasty is a times during which Chinese classical Ya culture was summed up, and Chinese modem Su culture had been grown up. The culture of changing touched off debate about Ya-Su in the field of the culture of Song Dynasty. As soaked deeply in the cultural environment, the scholar had a cultural character between traditional culture of Ya and modem culture of Su. Reflected upon the realm of literature, main essential literature respectively presented new sight of that Ya and Su coexisted and Ya used Su as a means to. Came from folk and catered to hedonism of late Tang, Song Ci had been ripe and typically symbolized such trend of culture and literature. Listening music and composing Ci became that day's fashion. Born from hedonic environment equally, however, Ya Ci written by scholar of song Dynasty didn't tend toward Su blindly, but Ya was main to Su on aesthetic quality, Su merely gave them a opportunity with which they expressed their refined emotion. Hedonic life didn't let them indulge in, but aesthetic manner introverted let them find their Dian Ya. Because Ci was want of recreation at beginning, Ci created a special expression model founded basic point of Shi as infatuated woman. Standardized by this model, the Scholar selected the suitable image to their aesthetic manner expressed their true emotion and placed their moral idea on Ci, so their Ci was provided with Sao-Ya in aesthetic mien. Because the scale of Ci expanded from XiaoLing to Man Ci is a type of writing that expressing emotion, the scholar's Man- Ci and Ci continued to have Xiao-Ling's Character of implication, so Man-Ci contained Ci's Chun Ya in expressing emotion. In fact, whether Dian-Ya, Sao-Ya, or Chun-Ya, its true spirit belonged to Yaculture, so the external of Ya-Ci written by Song Dynasty's scholar belong to Su, but it's internal belong to Ya.