The Aesthetic Exchange And Cultural Connotation Of The Movies Directed By Feng Xiaogang

The director experiences of Feng xiaogang exists in historical, economic and cultural background in 1990s.With nearly ten years experiences in TV play art and operation, and television playwright-director ability from the practice, he valued most ordinary viewers'contemporary life from technology, consciousness, market orientation. Personal experiences of life prompt Feng xiaogang grasp the citizen director position. The film industry system reform and the market competition strengthen the special director position characterized by popular themes, civilians'consciousness, and entertainment. Transformation era's culture tends to popular and interesting mass culture, which leads to the director of the positioning of the mass culture. With all comprehensive reasons, Feng is a citizen director, tells the story of people.The aesthetics characteristics of film of Feng's films change with type. The citizen comedy themes have contemporary life, ordinary citizen roles, and jocose narrative style, express people live just like a game. Commercial films reflect Audio-visual shock through the sound, the light, the color, the montage, the body language and other movie ontology language. Through the narrative mode changed, genre is innovated. And unified spirit of its various types of movie is to respect ordinary individual.Feng's film culture connotation is rich and with temporal spirit. Feng's film is the favorite in the era of mass culture. He pays attention to senses pleasant and audio-visual performance, comforts viewers, guides social fashion wind popular wind, and deconstructs life thought entertainment. In other sides, in the cultural industry and mainstream awareness, Feng's film ideology comes mature. The spirit of the films changes from sharp eyes, warmly call, to mainstream back. Feng's films attach importance to civilian life, mass entertainment, the images, and now are also began to embrace government and mainstream spirit.