The Meaning Of The Ink And Mental Imagery In The Creation Of Ink Portrait Painting

The ink and mental imagery like a painting with a commonality and inclusive of the basic elements, in general, among them belong to the relationship between subjective and objective, they are traditional Chinese painting and modern painting have been used widely. In this paper, the ink and mental imagery the main objective and the dynamic role of each start with ink portraits creative exploration as the main line, respectively, of the ink, the heart, as the ink and the relationship between the mind, as discussed, thereby providing a creative portrait of the ink kinds of new ways of thinking and broader space for development.In this paper, ink and heart as the right to convert thinking and analytical studies, mainly to the following aspects: creation of the ink portraits of factors with the dotted line is the ink surface, texture, color and composition and so on the understanding and analysis; combination of copying in the got the experience and tips for ink, ink sketches and creative experience in the use and enhancement; heart as in the embodiment of ink figure painting creation produced successively creative motivation, creative process of practice, and explore the experience of gains and losses; the question of creation as well as creative thinking and to solve the ink after the ink portraits like thinking with the heart; combination of theory and practice.