The Narrative About Juvenile Growth In Su Tong's Novels

In the usual classification of literature, often juvenile is a shade stage. It pulled back to childish child age, or to forward to too serious adulthood. In the grand narrative, the individual curled up under the wings of history and social development often replaces the individual growth. But in the Su Tong's creation, the times background is blurred, boy was spin-off from the long river of history, then the living conditions of individuals came to the fore.Junior described by Su Tong is a group stretching for many years. In his works, the young growth is a gradual process of development. His novels about youth development is not focus the changing image of teenagers, but the growing up psychologically waves. In this fictional world of Su Tong, Junior first is outside of the adult world ,completely passively accepting the information from that mysterious world, he is confusing but exciting to see what happened there. Concerning about the adult world, juvenile sense of self-growth experience at the same time, that is, their life became the object of narration. Gradually towarding the adult world, juvenile also form their own youth consciousness at the same time, he needs recognize from the outside world, especially from the adults to continue the growth of self-recognition. In order to attract the attention of others, he demonstrate a rebellious youth and obedience, which are the growth of two different states. Growth is a process of walking, it's ideal destination is mature. The boy that Su Tong described identify the way of his father by returning home from the street. They had the struggle between the two, but eventually agreed with the latter. Accompanied by Su Tong's juvenile growth continued in the creation of rich, juvenile growth mixed with sounds of thought presented in the work of the author.From a narrative point of view, juvenile growth of Su Tong's novels mainly for first-person and third person narrative , which borrowed in the perspective of growing juvenile about other juvenile life. This narrative juvenile is a spectator on the scene of station , meanwhile the bystander is subject to the auther.Adult author's figure stood behind the narrative juvenile, he and the narrator saw the youth's history and tell the story of the growing up young in a gesture of memories . Author showed the story of growing up teenagers in the perspective of the young, and he hides behind the narrator. Experience for adults and young people's impulses and ignorant collided and intertwined in the memories. Although the implied author doesn't need to appear, but his authority and the wisdom of adults are present in the works, also left its mark in a young person's growing up. So the hero's growing up was with the mature of the personality and evolutionary trend of collaborators for the adult world.The juveniles in Su Tong's novels differs from the future generations in Mo Yan's "Red Sorghum family" , they did not worship in older people, but focus more on the growth of themselves. Parents here in Su Tong is far from perfect to the extent of the need to perform to imitate. As the youth perspective, Mo Yan's juveniles aftertaste in the tall figure of predecessors, looking forward to reproduction the past brilliant, and indulgent in history. While Su Tong's novels juveniles are more concerned about changes in the self-growth, they tried to cross the fathers' life, towards their unknown future. If the young described by Mo Yan found historical position of themselves through identity of fathers, juveniles in Su Tong's novels is a group of wandering, since the father's life do not have access to their recognition, then the future will only be unknown.Compared with Yu hua's survivallife, in the Su Tong's novels juvenile style is more moderate. In Yu hua's describe is juvenile who is seeing world of a stared large eyes.In the growth road, juvenile see too many things that order he dismay of event.Reality events occur in adult world , which boy occur in his life experience and the imagine to unknown world have collision. Rough reality as sandpaper polish with juvenile soft inside, so violent pain sense with juvenile of growth. A juvenile in the Su Tong's novels are not so concern about the adult world. He is a boy hidding behind the door carefully peeping at children playing outside. He saw the outside world, but compared to teenagers he is more concern the manner of his objects. At the same time because he is only see the front portion of the world in the door, the other part of the word will be filled by imagination. Because standing a small security corner of the world, and being out of it, the juveniles here is more moderate facing everything. Here in Su Tong, even rebellious juvenile would retract family fortress looking for familiar childhood comfort things from time to time. And the young in Yu hua's is always in the miserable conditions walk all the way. Two juvenile growth of writers shows a different aesthetic style.In this thesis, combing through a comprehensive youth development in Su Tong's novel writing traces the development of a case and analysis of important works which attempt to render the whole of such creative Su Tong, Su Tong as a basis for further exploring the charm of such creative.