Contemporary Chinese Painting In The Context Of The Evolution Of Language

"Chinese Painting" is not just a simple name, the bearer of civilization several thousand years of painting, while Dan-charm, this pluralism in contemporary society, Chinese painting has a new content, new ways and new elements. "Ink" of the issues have been the soul of traditional Chinese painting and basic, has become in the contemporary artists have been discussing the topic. In the debate and exploration, whether traditional or innovative, whether it is to promote or exclude, whether it is moving forward or stagnation, the Chinese ink painting still exhibits its unique style. The art in such divergent fields, the existence of a variety of voices is the solution to the problem lies.Based on the contemporary ink painting language as the main research object, inspects Chinese paintings and modern social environment, and the relationship between Chinese ink comb mining and language in present new features and varieties, analysis contemporary ink painting language characteristics of The Times.This article from the traditional Chinese paintings with ink painting language contrast, discusses ink painting language almost twenty years produce change and subjective and objective cause. In the context of contemporary multivariate, in different genres and style, ink painting language evolution cannot leave it's grounding environments, in their evolution and reflect the artistic autonomy and heteronomy motivations.Facing the present situation of Chinese painting, considering the review and analysis are faced with the problem of Chinese painting, combining exhibition experience and the professional practice experience, from a new perspective to recognize and summarize the contemporary Chinese painting is now in place to practice context, the ink painting language better understanding.