| The stylization is one of Chinese tradition drawing essential features, it is the basic structure which the traditional Chinese painting depends since long develops, is also the Chinese enjoyable art view reflection. The traditional Chinese painting stylization's process is the historical long-term development process, is wisdom crystallization which all previous dynasties painters try to find out in reality. Before Southern Song Dynasty's Chinese landscape painting's development has experienced the symbol, the reproducibility and the stylization three stages. These all became MaYuan art stylization historical accumulation.MaYuan was born in an art family, imitated Li Tang long ago, latter has based on this formed own drawing style. Ma Yuan treats the imperial edict as the art academy, his pictorial representation receives the imperial family the affection. Ma Yuan writing's scenery many are elegant Qian Tang the scenery, Ma Yuan drawing personalized characteristic unusual obvious, many are the corner composition, is likely in the photographic feature article is the same, takes of a corner of cliff mountains water to be picturesque, after the prospect several mountain stone highly concentrated almost waterless ink outlines, the water used ink dripping big axe divides is chapped its structure; several branch slanting branches tower, thin hard like QuTie shape, the prospect either empty or makes the exaggeration slightly with the pale ink, in the picture has the character or animal's embellishment again, static has moves, moves has static, the close view solid prospect empty, in the picture big piece leaves a parting note for somebody, courses the infinite space people's line of sight, causes the human to have the poetic sentiment association. Ma Yuan the corner composition is under the Southern Song Dynasty art academy's product; After the Song Dynasty capital was moved south of the portrayal of the landscape;The Song Dynasty Neo-Confucianism's prosperity is the rationale which Ma Yuan the corner scenery produces.MaYuan painting stylized generation and development is there are many causes, the first from the aesthetic root of speaking, completely recreate natural artistic in China there is no growth of soil, from the root of Chinese philosophy with nature is not the venerable master opposite exist, but the "nature and humanity", in this kind of thought, formed under the influence of traditional Chinese painting "heavy god light form" characteristics. But the symbol is landscape program is objective image summary, and detached from the outside, after the artist depicting the subjective processing, has the colour of subjectivity. Chinese painting art programs is the embodiment of the symbol is the disconnection, is the product of image thinking in China, is the philosophy of the reflection. The Ma Yuan drawing's stylization is the artistic development inexorable law, from individual artistic development looked that is the Ma Yuan individual artistic style symbol; From the Chinese landscape painting history looked that the landscape painting developed the Northern Song Dynasty its panoram-like scenery already to arrive at the crest, the Southern Song Dynasty painters, if wanted to have the innovation only to be able to try another method, Ma Yuan inherits Li Tang's tradition and has the development, has formed own style finally. Under Ma Yuan art stylization or Southern Song Dynasty art academy's product. Ma Yuan treats the imperial edict as the art academy, his drawing is serves for the ruling class, he esthetic directly imperial esthetic interest influence. Ma Yuan inherits Li Tang's tradition and is continuing the art academy unique system, has formed in finally the landscape painting history the unique Southern Song Dynasty imperial art academy painting wind. Ma Yuan takes Southern Song Dynasty one of four, its drawing style most can represent the Southern Song Dynasty imperial art academy painting the overall style. |
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