The Landscape Boundary Painting Aesthetics Of "Pavilions, Terraces And Towers" And The Designing Of Modern Gardens

The boundary painting originated in the very early time, unlike the other kinds of Chinese painting, the traditional Chinese boundary painting mainly illustrates the architecture, the boundary painting was often draw with rulers so the lines on the painting were straight, which is the reason why the boundary painting is called "boundary painting" . The craftwork of boundary paint is of very preciseness, which make the painting trim and well-proportioned. But in the nowadays the boundary painting appear very rarely in the china art market compared with the landscape painting, flowers and birds painting and figure painting, which indicate that the state of the boundary painting is declining gradually in the history of china art. On the other hand, the boundary painting of pavilions, terraces and towers has been impacting the designing of modern gardens very deeply and wide, because the classical architecture are firmly linked to the landscape and traditional culture and sprits and modern social life.The transformation of the thought in the past dynasty has the very great effect on the landscape boundary painting aesthetis, along with the "shanshuibide" , " chouyi" , the Buddhism in the wei-dynasty and the confucianis in the sui-dynasry and even the Europe science and arts in the early qing-dynasty.The landscape boundary painting aesthetics provides the modern designing of gardens with the abundant foundational element of thought , the multiple ways of expression, the mature art technique and the profound details of culture, which lead to the difflunce and the perfect amalgamation of the landscape boundary painting and the modern designing of gardens.