The idea of "based on nature" from ecology become pursue of landscape architecture accompanied by people who yearn to come back nature. So, there are more urgent demands today to the research of the Natural type planting. In this essay, writer refers the experience of form in the ink and wash painting for thousands and hundreds years, and combines detailed conditions and requirement in the planting practice, plant ink and wash painting form with plant form go on contrast compare. A new idea of study by comparison of three respects of planting (plane, elevation and space plantings) with various aesthetic respects of Chinese ink painting was proposed. This essay aims at introducing the form and characteristics of Chinese ink painting to planting designs by carrying on some research to embody the relationship between the primary and secondary, the density and echoing etc. in the plane layout. Compare this phenomenon with the plants, and it is just like a bird's-eye view of the plant view. In this essay, the deep or light intensity of ink and plant is corresponded by method of mathematics and computer, and elevation results of groups of plants are designed. Apply black-and-white space language of Chinese ink painting to the design of plant space, ocular explanation can be received simple plant space experience by language of Chinese ink painting.No matter the source of the philosophy thought, than aesthetic principle they follow the natural planting form and Chinese ink painting is related by flesh and blood. It can be got the result of getting twice the result with half the effort by draw nutrient in Chinese ink painting with several of thousand years histories and apply language of Chinese ink painting to the natural type planting . The writer hopes to get some method of the natural type planting and direct the planting through this research. |