A Cultural And Philosophical Study Of Chinese Traditional Palace Architecture

Research on the The culture of traditional Chinese palace architecture philosophy to the Forbidden City as an example. As the existence of reality of things, every building carries a kind of special culture. The building’s design principle, material of construction and style reflect the special cultural orientation and idea of value. Chinese traditional which penetrates and bandages in Chinese people’s all aspects of life, is broad and profound. As an indispensable part of people’s life, traditional buildings influenced by the traditional culture deeply. The palace building is an important component of traditional architecture. This thesistakes the Imperial Palace as an example, and focuses on researching the spirit of culture in traditional palace buildings, and studies on the philosophy of metaphysics.As the life and activities of the royalty and nobility of the palace, the traditional architecture and the traditional culture have inherent consistency. On the one hand, the palace embodies the basic characteristics and political philosophy of the traditional culture, and the traditional culture is the soul of the basic character of the palace buildings; on the other side, the basic character and authoritarian hierarchy concept of the traditional culture shows by the help of the palace to present concretely. The palace building is a realistic interpretation of traditional culture. The palace building is a realistic interpretation of traditional culture. Chinese traditional palace has a unique wooden structure, courtyard style layout, axial symmetry features, which reflects the traditional culture by nature, and reflects the concept of culture and value pursuit—’the unity of man and nature’. Traditional palace construction which pays attention to foundering orderly, magnificence conveys a strong sense of hierarchy and strict etiquette spirit.The building is not only a kind of entity, but also a kind of art and culture. While modern Chinese buildings show the time requirements and characteristics of the times, at the same time, they also need to acquire the thought resources from the traditional architecture. They need to abandon the traditional palace building’s class-consciousness, the concept of authority, and learn the spirit of harmony of heaven and the rich aesthetic implication, which will undoubtedly have a positive effect on the regulation of modern non-ecological consumption idea, consumptive construction. It is quite necessary to explore the cultural connotation of traditional palace, which carries forward the traditional culture, protects the traditional architectural heritage protection.