Research On The Modern Transformation Of Discourse On Mongolian Literary Theory

The article guided by Marxist literary theory comprehensively and systematically employs research methods such as Hermeneutics,Discourse theory and Reception theory to provide an in-depth discussion of the socio-cultural context of the discourse of Mongolian literary theory,as well as the transformation features of the literary conceptual discourse,creationist discourse and receptionist discourse.The paper consists of three parts: Introduction,Body and Conclusion,of which the Body section has four chapters.Mongolian literary criticism began in the 13 th century,absorbing the nutrients of Tibetan and Chinese literary theories in the process of development,forming a "triple structure" framework of Mongolian literary theory.The modern transformation of discourse of Mongolian literary theory is closely related to the socio-cultural context.The socio-cultural context includes the development and transformation of modern Chinese literary,the historical development of ancient Mongolian literary,the social and ideological background of the process of cultural transformation,the development of public media and the creative practice of modern Mongolian literature.Among the various factors of the socio-cultural context in the first half of the 20 th century,cultural transformation was the key to the transformation faced by Mongolian literary theory.The modern concept of Mongolian literature advocates discourse of the enlightening function of literature.The formation of this literary perspective is not only influenced by social and cultural factors but also associated with the discourse on the educational function of ancient and modern Mongolian literature.Within the overarching framework of the discourse of intellectual enlightenment,the specific features of modern Mongolian novel and poetry reveal complex forms during the period of modern transformation.The concept and functional discourse of modern Mongolian novels exhibit a clear intersection between traditional and modern concepts.However,in the modern transformation of poetic concepts,realistic literary concepts and romantic literary concepts also exist,but the former dominates.The transformative characteristics of discourse of Mongolian literary creation are primarily manifested in the aspects of the creative subject’s spirit,motivation,and methods.The evolution of the spirit of the creative subject leads to subtle changes in the creative process.The self-awareness and critical spirit of the modern Mongolian creative subject are particularly prominent,combining elements of tradition with novel aspects.Regarding creative motivation,the triggers of the modern Mongolian creative subject can be divided into two sources: internal emotions and external environmental stimulation.The former refers to the emotional response triggered by the beauty of the natural environment that touches the inner world of the creative subject.The latter refers to the purposeful and rational creative motivations,such as "creating to attract masterpieces" and "writing to stay famous in history",which are influenced by external factors.Further more,concerning the conceptual aspect of the literary creation process,the author chooses to observe its characteristics from the perspectives of the narrator’s point of view,narrative style,and psychological mechanisms of creation.Specifically,Nangrub’s textbook on creative writing exhibits features of categorizing narrative literature based on the narrative perspective.Based on the concept of modern literature’s "clamor of voices" phenonmenon,the methods of modern literary creation also demonstrate a two-dimensional framework of realism and romanticism.In the modern context of Inner Mongolia,the subject of Mongolian literary theory plays multiple identities such as the subject of creation and the subject of criticism,which are intertwined in concrete practice.As critical subjects,they are excel in utilizing public media,such as newspapers,to create a public sphere that serves as a channel for connecting literature with society in the activities of literary reception.Additionally,they employ creative genres to achieve the goal of enlightening readers.They,as critical subjects,demonstrate a focus on the concept of the implied notion of authorship in their critical activities.Furthermore,the biases that modern readers develop in the process of literary reception continually prompt the critical subject to adjust their guidance on language and techniques of creation,thereby fulfilling their role in guiding readers.This interaction between readers and critical subjects represents their dynamic relationship.At the time of modern transformation,Mongolian literary reception theory gave birth to discourses such as "indoctrination","changing tastes" and "authenticity",which corresponded to the principles of literary criticism,the innovation of aesthetic appreciation,and the standards of criticism.