Research On The Paintings Of Emperor Huizong And The Painting Style Of The Huizong Dynasty

Huizong Zhao Ji was the most influential figure in the development of art field in the late Northern Song Dynasty.There is a special category of imperial art in the study of ancient Chinese art history,but in the thousands of years of imperial art history,only Emperor Huizong had a founding influence on the development of the entire ancient art history.In the field of painting,the late Northern Song Dynasty,where Huizong lived,carried on the accumulation of the development of the whole Northern Song painting.The emperors of the Northern Song Dynasty accumulated a rich collection of calligraphy and painting,the prosperous economy gave birth to rich folk painting activities,and the appreciation and interaction between literati and officials gave birth to new artistic concepts.The result of all these artistic activities met with the superbartistic talent of Huizong,and finally created the brilliant art of Huizong painting.Huizong’s paintings have not only the elegant and solemn temple style unique to royal paintings,but also the elegant and classical literati style.The Xuanhe Painting Academy under his leadership produced Xuanhe paintings of high artistic value.Taking the study of Huizong painting as the starting point,the author further expands to the development of the whole Huizong Dynasty painting,so as to construct a complete study of Huizong painting system in this subject.In order to have a more comprehensive understanding of Huizong’s paintings,the author divides the research of this subject into two basic parts: the study of Huizong’s own paintings and the exploration of Huizong’s painting system and its influence on later generations by placing Huizong in an era.In the first part of the study,the author firstly based on the appraisal results of scholars at home and abroad on Huizong’s paintings,and sorted out the situation of the existing paintings under the name of Huizong.Later,based on the reliable Huizong paintings in the world,the author completed the analysis of Huizong paintings from the perspective of four techniques: layout,line,ink and color,so as to explore the style characteristics of Huizong paintings.In the second part of this paper,the author takes Huizong’s paintings as the core,extends the research horizon to The Times when Huizong was active,and takes The Times as the height of the research horizon to further construct a complete Huizong painting system.In this part of the study,the author first takes Huizong as the center,analyzes the group characteristics of painting participants of different identities in Huizong Dynasty through the division of the identities of painting participants in Huizong era,and then makes a reasoning on the painting style of Huizong Dynasty,so as to construct the painting style of Huizong Dynasty with Huizong activities as the core.On this basis,the author lists a separate chapter on Huizong painting system in the form and taste of a change-the development of sketch painting.In the last part of the article,the author returns the research attention to Huizong’s paintings.After the exploration of Huizong Dynasty paintings,when we look back at the paintings of Huizong,we can elevate the examination of Huizong paintings to the perspective of the art development of an era,so as to re-examine the identity and significance of Huizong paintings in the art of The Times.On this basis,the author divides the research of the last chapter into three parts: the first chapter is about Huizong after the Jingkang disaster and the radiation and influence of Huizong’s painting achievements on the surrounding areas.Based on the flow of painters in Huizong Dynasty,the author mainly analyzes the influence of Huizong Dynasty paintings on Jin in the north and Southern Song in the south.Secondly,based on reliable historical materials,the author analyzes the behaviors and activities of Huizong in painting,so as to discover an unprecedented painting experiment of Huizong,namely the combination of poetry and painting.Before Huizong,the relationship between pictures and texts was often that pictures served literature.Huizong began to combine the aesthetic feeling of literature with the form of painting and poetic connotation.Theexperiment of combining poetry and painting from Huizong to Ming Dynasty formed a perfect form of poetry,calligraphy and painting.Thirdly,after a comprehensive study of Huizong paintings and Huizong paintings of The Times,this paper discusses the gains and losses of Huizong paintings in history.At this point,the author starts from the painting study of Huizong himself,taking the existing reliable paintings of Huizong as the core to analyze the painting features of Huizong.After that,I expanded my research vision to the Huizong Dynasty,where Huizong activities took place,and explored the painting style and influence of Huizong Dynasty from historical materials.After that,I took period painting as the height of my research vision to discuss the gains and losses of Huizong painting in the painting history,and finally completed the construction and discussion of Huizong painting system.