Creation And Utensils:Research On The Reconstruction Of The Sacred Properties Of Sacrificial Porcelain

Sacrifice porcelain has its cultural speciality.According to the surviving empirical study of sacrifice porcelain and academic study,it is classified into three categories: “Text” of offering porcelain,sacrificial utensils porcelain manufacturing,the official-civilian kiln craft interaction.Sacrifice porcelain also has its pluralistic cultural patterns,enters into Europe as a commodity and influences the cultural aesthetics and technological economy of the western society.The image differentiation of the porcelain in the west reveals the logic cause of the western culture.Secondly,porcelain as an artwork is dislocated into the modern commodity society,so its “Authenticity” was eroded.Only through“Aura Theory” and “Distance” interpreted by Benjamin towards the artworks and the intervention of phenomenological semantics of “Bodyspace”,it brings up that ritualistic viewing returns to the rationalization of concrete “object-environment”.Furthermore,when the artwork is taken in the category of “Object”,and “Pot”resembles the philosophical reconstruction,“inanity” reveals the accommodative functionality of the receptacle.To sum up,in Martin Heidegger’s material proposition,the self-sustaining structure,accommodating function and surrounding world of the receptacles form an framework of materialization aggregation.Therefore,the physical independence process of sacrificial porcelain is the premise of its essential composition.Then,the determinateness of thing in sacrifice porcelain is classified into shape,function and symbol,which is put into the cultural tradition of ritual ware,sacrifice purpose,sacred space and the dimensions of sacrificial utensils to analyze the divine attributes of sacrifice porcelain.The shape and symbol of sacrifice porcelain influence the functions of the gods and the purposes of praying,and have been merged into the etiquette shape and religious life of ancient Chinese.The essential constitution of physical nature of porcelain made sacrificial utensils contains the political nature of the order of rites and laws and the origin of patriarchal ethics,while the authenticity of physical nature of porcelain offerings utensils show the characteristics of secularization and inclusiveness.Under the holy conditions of the construction of the rites,the “schematism”formed by sacrifice porcelain utensils is embodied in four levels: the altar of Kami district,the spatial functional classification,ceremonial utensils structure,and observant practices.Finally,in a series of correlation analysis,such as the motive formation,the practice of creation,conditions of creation,cultural production,the culture of sacrifice porcelain reveals the leading roles of creators and users in the inheritance and development of sacrifice porcelain culture.The living examples of the consecrating way and ceramic decoration of sacrifice porcelain are analyzed for the fundamental roles of workshop purposes,ritual shape,celestial and human perception,and writing tradition towards the aesthetic form of sacrifice porcelain.The continuous imitation and innovation of porcelain sacrificial utensils represented by the imperial kilns of the Ming and Qing dynasties strengthen the ritual shape and cultural added value of the utensils.In religious market,the sacrificial porcelain of buddhist temple can be divided into three types: purchasing,ordering and donation for worshiping.Among them,the artisan’s tradition of donation for worshiping,ancestor worshiping and the ceremonies of inviting teaching reveal the spiritual implication for artisan’s culture to be inherited to this day.Above all,this paper holds that,first of all,the various "identity transformation" of porcelain,the differentiated needs of aesthetic culture and the initiative of the creator are the core elements that endue the cultural characteristics of sacrificial porcelain from the perspective of the pattern on world history and cultural exchange.Secondly,philosophical observation such as "object independence" and "void" is conducive to condense the new thinking of material culture research,especially the theoretical basis of research dynamics such as how culture is inherited and developed along with the dynamic mechanism of creation.Thirdly,the research path aiming at the sacred properties of sacrificial porcelain provides a feasibility for the research of utensils from large cultural comparison to small cultural subdivision.Fourthly,the cultural space of sacrificial porcelain provides a new perspective for the discussion of cultural practice theory on rural revitalization in the practical sense of cultural inheritance.