| The founding of new China not only marked the beginning of the era of the people’s Republic in politics,but also marked the beginning of large-scale industrial construction in economy.The historical stage from the founding of new China to the initial stage of socialist construction has laid a solid foundation for the full start and initial prosperity of industrial literature,This paper takes Comrade Mao Zedong’s lecture at the Yan’an Literature and Art Symposium as the historical starting point for observing the development of socialist literature and art and the development of Chinese contemporary industrial novels,forming a dual research perspective of combining internal and external research,By studying the industrial novels in the period of socialist construction,we can restore the influence of socialist literature and art on Chinese contemporary industrial novels.The birth of the people’s Republic of China in 1949 and the convening of the first literary Congress mean that Chinese contemporary literature has really opened a new historical prelude.Since the founding of new China,literary practice,as an important link in the construction of national ideological discourse,has become an important way to construct a new cultural order and cultural ethics.As the most closely related literary theme with the national socialist modernization,the "industrial theme" received special attention in the early stage of the socialist literary construction.Industrial novels are literary genres that take the production and life of the working class and the working class as the writing object,take modern large-scale industrial production as the imagination construction,and take socialist construction as the theme of the times.They rely on the new democratic regime and new social system established since the founding of new China.While continuing the theme of emancipation of literature in the liberated areas,they focus more on grasping the theme of socialist construction.As an important part of proletarian workers’ writing,industrial novels from 1949 to 1966 have inherited the writing styles of labor literature in 1920s,revolutionary literature in 1930s,and literature of workers,peasants and soldiers in liberated areas in 1940s.At the same time,as the beginning of new China’s industrial novels,they have the historical mission of coming from workers,writing about workers,and writing for workers,Industrial novels,which took workers and their production and life as the main theme of creation,represented an important development direction of socialist literature and art at that time.These works,with their passionate emotional tone,depict the national high spirited industrial construction picture and the lofty spiritual outlook of the working class at the beginning of the founding of new China.At the same time,they also provide unique practical experience of socialist literature,establish a typical worker image with the characteristics of the people,and open up the people’s aesthetic practice in industrial novels.No matter looking back on the development history of contemporary China’s modernization or combing the development process of socialist literature,the industrial novels of this period are undoubtedly the best historical coordinates and realistic counterparts.As the specific practice of socialist literature and art and the specific practice of people’s aesthetics,industrial novels represent the rise of the new people’s aesthetic practice.This paper combs the industrial novels in the period of socialist construction from the perspective of socialist literature and art,complements the development context of century old red literature and art,and provides historical support for the development of century old red literature and art.This paper takes Comrade Mao Zedong’s lecture at the Yan’an Literature and Art Symposium as the historical starting point for observing the development of socialist literature and art and the development of Chinese contemporary industrial novels,constitutes a dual research perspective of combining internal and external research,and restores the impact of socialist literature and art on Chinese Contemporary Industrial Novels by studying industrial works during the period of socialist construction.In addition to analyzing the classic texts in the industrial novels,this paper also systematically combs the industrial novels in the period of socialist construction,and analyzes a large number of works of non classical writers in the history of literature,such as the works of wanguoru,lujunchao,miaopieshi,wuyunduo and other writers,trying to return to the real historical scene of literature and the value and significance of the study of historical materials,Strive to restore the overall picture of the creation of new China’s industrial novels to the greatest extent.Starting with the analysis of the context,the establishment of new China marks the establishment of the new regime led by the proletariat in China.Both internal socialist construction and external socialist camp have become an important consideration for the new Chinese regime to consolidate its legitimacy.Internally,the shift of.the party’s work focus from rural areas to cities means that China is about to change from a large agricultural country to an industrial country,and the working class,as the main body of production and construction,has not only become the leading class of the country in the political sense,but also played an important role in the economic sense;Externally,from New China’s all-round recognition and respect for the Soviet Union in the early days of the founding of the people’s Republic of China to questioning and complete deviation,from 1949 to 1966,the adjustment of China’s industrial development path and the transformation of friendly and alienated relations between China and the Soviet Union,as the realistic background of the creation of industrial novels in this period,have been reflected in literary creation.This paper will adhere to the method of combining logic and history,critically investigate China’s industrial construction from 1949 to 1966,and explore and explore the economic context of industrial novels in this period from two aspects of external environment and internal environment.From the perspective of external environment,the theory and practice of Soviet industrialization provided relatively mature experience for the industrialization exploration of new China.The industrialization experience of the Soviet Union has also become an external factor that has an important influence on China’s industrial and economic development during the period of socialist construction.The exploration of China’s socialist industrialization road has experienced an extraordinary process from "taking the Soviet Union as a teacher" to"taking the Soviet Union as a mirror",From the perspective of internal environment,Mao Zedong put forward the general line of "one industrialization and three reforms" in June 1953,and China’s industrialization process has always adhered to the overall direction of "de dependence" and independence.1949-1966 was the initial period of new China’s socialist culture.With the establishment of a new state power,the construction and practice of a new cultural order and cultural outlook became the characteristics of the times of socialist culture in this period.The practice of the creation of industrial novels from 1949 to 1966 has two aspects of spiritual resources and literary experience.This paper expounds the literary resources of the creation of industrial novels from the aspects of the development of world proletarian literature and the development of Chinese proletarian literature.In the creation of industrial.novels from 1949 to 1966,all kinds of characters emerging around the core of industrial production and construction constitute the specific representation of the discourse of industrial literature in this period.They constitute the"background of the people" in the early stage of new China.These characters are not only a farewell to the old democratic period,but also a prospect of the new socialist era,The duality of historical identity and era identity shows the historical rationality,legitimacy and inevitability of the democratic regime of new China established under the leadership of the Communist Party of China.The new people’s social ethics and new people’s cultural schema shaped around the characters have become the means for literature to shape and call for a new social and cultural order from 1949 to 1966,so as to finally achieve the purpose of shaping new socialist people,Realize the literary writing and expression of the national political ideology,and realize the literary imagination and construction of national modernization and industrialization.Space is closely related to society.The distinction between public space and private space indicates that all kinds of differences in social behavior and norms change with the change of space.Krone regards the literary landscape as a combination of literature and landscape,and literature provides a perspective to take care of the world.The industrial novels between 1949 and 1966 describe the industrial spaces such as mines,workshops,construction sites and workers’ new villages of socialist industry.Through the analysis of urban space,factory space and personal living space,we can touch the different features of this era,We can also feel the productive and revolutionary isomorphism in the author’s narrative space.Here,through the transformation of people’s industrialization,the "vulgar" cities have embarked on the construction track of a productive new socialist city.From the perspective of urban space discourse construction crisis,industrial novels create a new space to accommodate the dual demands of socialism on modernity and ultimate ideal outside the urban daily life space.It is in these relatively independent spaces that the industrial novels during this period show the industrial construction landscape of power and beauty and the labor scene as a moral pursuit.In the industrial theme novels from 1949 to 1966,the individual’s daily life presents the trend of private moral politicization.People make their life open and transparent and integrate themselves with the public sphere.Therefore,the individual’s "daily life" gradually fades out of the field of vision.In the collective workers’ new village,we see more social and grand discourse expression,and the public sphere and private sphere are gradually unified.The industrial novels during this period not only came from the people,but also wrote for the people,thus reflecting the basic value of people’s literature and art.As a literary practice from the people,industrial novels shape a new "literary image",construct a new "literary space"and draw a new "literary picture";The novels during this period reflect the literary creation style written for the people.The writer not only adopts the literary experience of"entering the people",but also adopts the literary creation method of "socialist realism",which shows and praises the ever-changing socialist construction.As a unique historical literary concept of contemporary Chinese literature,industrial novels from 1949 to 1966 are closely related to the imagination of modern Chinese nation-state in the 20th century.It carries the strong historical fable of China from backwardness to national independence and national prosperity.It is not only the literary mission of Chinese contemporary literature,but also the political and historical mission of Chinese contemporary literature.It not only emphasizes the rapid development of new China’s social and economic construction,but also emphasizes the construction of a more optimistic and idealistic socialist picture of China’s social and economic construction.It is a concrete expression of China’s modernization narrative.Industry itself is the product of modern civilization.Therefore,for Chinese literary narration,industrial novels not only have the revolutionary optimism of modern fables,but also have the modernity anxiety revealed in the process of modernization.This modern and revolutionary literary narration has become the double-line logic of constructing industrial novels at that time,creating its unique literary appearance and literary expression of socialist countries,Carrying the great vision of the times of new China. |
